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Archive for the ‘19th Century England’ Category

Gentle readers,

Summer means long, lazy afternoons lounging in the yard or by the pool side, grilling meats like hamburgers, sausages, and hot dogs. The hamburger has had a long tradition.

In 1802, the Oxford English Dictionary defined Hamburg steak as salt beef. It had little resemblance to the hamburger we know today. It was a hard slab of salted minced beef, often slightly smoked, mixed with onions and breadcrumbs. The emphasis was more on durability than taste. “ – Hamburger History 

Sailors from Hamburg, Germany, crossed the Baltic Sea regularly and returned with a taste for the minced raw beef dishes served up in Russian ports. The German haus-frau’s interpretation of these Baltic dishes was to fry or broil the patties. And voila! The Hamburg steak was born. By the late 1700’s the British knew them as Hamburg sausages.

Enter Hannah Glasse and her famous Art of Cookery book, which featured a recipe for Hamburgh sausage.

Hannah Glasse's recipe for Common Sausages

“By the mid-18th century, German immigrants also begin arriving in England. One recipe, titled “Hamburgh Sausage,” appeared in Hannah Glasse’s 1758 English cookbook called The Art of Cookery Made Plain and Easy. It consisted of chopped beef, suet, and spices. The author recommended that this sausage be served with toasted bread. Hannah Glasse’s cookbook was also very popular in Colonial America, although it was not published in the United States until 1805. This American edition also contained the “Hamburgh Sausage” recipe with slight revisions.” – History and Legends of Hamburger 

By 1834, the menu of Delmonico’s in New York City advertised a Hamburger steak. And the rest, as they say, is history. Today the humble hamburger is popular the world over due to the marketing genius (or avarice?) of McDonald’s and other fast food chains.

18th c. Sausage shop. Image © Wellcome Trust

Image description: Two men are working with knives and cleavers as another makes sausages, a woman has come to buy and is holding some money in her hand. Coloured etching. A pork-butcher’s shop: two butchers are working with knives and cleavers as another makes sausages, a woman has come to buy and is holding some money in her hand. Coloured etching, 18-. 19th c.” – Wellcome Trust

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Vendors set up their carts and booths hours before execution time, doing a roaring trade selling food, drink, souvenirs, even pornographic material, to a frenzied crowd. Minstrels and jugglers entertained the crowd. With the advent of cheap printing in the 16th and 17th centuries, touts created lurid “broadsheets” detailing the supposed history and scandalous crimes of the victim, the precursors to modern day tabloids. These “broadsheets” sold like hotcakes to an excited audience. – The History of Executions in Olde London Towne– Roy Stevenson

Detail of an execution broadside purchased March 5, 1817. Image @Harvard Law School Library


Life was cheap in Georgian England as this 1817 broadside attests. Five criminals were executed in March 1817 for forgery, burglary, and robbery. Poor Elizabeth Fricker protested her innocence, but to no avail.  Executions were public events, even during Jane Austen’s day, and one wonders if she ever saw a body left to rot on a gibbet, or if she cautiously avoided such sights and averted her eyes.  In any event, crowds would gather early at the execution spot to witness the hanging. They came in droves especially if the execution was of a notorious person.

Vendors set up stalls, selling drinks and refreshments to the large crowd, which, as the Hogarth illustration shows, were stacked on top of each other. The atmosphere must have been festive and somber at the same time, for even though there were jugglers and entertainers to amuse the crowd, a certain “execution” protocol was followed. Criminals were expected to speak to the crowd and to die well.

Broadsides, which were purchased for a pittance (in this instance a penny) described the crimes in detail, and were purchased much like programs to sporting events are purchased today.  Read the entire broadside here. This particular broadside was printed by J. Pitts of Seven Dials. Like other broadsides, it featured an illustration of the execution. Someone (the purchaser?) carefully penned in the date below the image.

Hogarth, 1747. Image @Wikimedia

Persistent Link to the Broadside:
http://nrs.harvard.edu/urn-3:HLS.Libr:1087957
Description:
Executions of criminals: more generally known by the uninviting name of “Dying speeches.”. Execution broadside (Andrew Savage, Ben Savage, Thomas Cann, William Kelly, Elizabeth Fricker, James Baker, James Gates)
Page:
(seq. 11)
Repository:
Harvard Law School Library
Institution:
Harvard University
Accessed:
09 June 2011

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Soane Monument, 1816. Image @Sir John Soane's Museum online collection

Sir John Soanes’s architectural drawings, including his designs for the Bank of England and Dulwich Picture Gallery, have been made available online by the Sir John Soane’s Museum. Included is the design for his family tomb in St Pancras Gardens, which inspired Gilbert Scott’s prototype for the red telephone box.

Tim Knox, Director of Sir John Soane’s Museum, explains:

Sir John Soane was responsible for some of the greatest buildings of his age and this project offers us all a glimpse of the evolution of these masterpieces.

Soane wanted his unique house and its incredible collection to be preserved.” – Soane’s Regency London Revealed

Front entrance of Pitzhanger Manor, 1800. Image @Sir John Soane's Museum online collection

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Last week I featured the book, The History of Little Goody Two-Shoes, a moralizing children’s book that Jane Austen kept all through her lifetime. As she was growing up, she was probably familiar with the Cinderella fairytale. Hundreds of versions of the folk tale from a variety of European sources exist, but the myth goes as far back as ancient Greece and China.  The story of the cinder maid and the glass slipper was popularized in 1697 by Charles Perrault in Histoires, ou Contes du Temps Passè.  

Written for the aristocratic Salons of C17th French society, Perrault’s ‘Cendrillon’ is stripped of all violent, bawdy or socially moralizing material and is instead focused primarily on entertaining. – The Origins of the Cinderella Story

The images in this post show the paper dolls based on Perrault’s tale that were popular during Jane Austen’s time.

1814, Cinderella or the Glass Slipper. Image @Theriault's.

The images shown above and below are for sale at Theriault’s: The Doll Masters

Lot: 17. An 1814 English Paper Doll and Book “Cinderella” by S&J Fuller
A paper bound miniature book,5″ x 4″,recounts in “beautifully versified” form the favored fairy tale,and was designed to be read while playing with the paper dolls,vignettes and accessories that illustrate the tale,comprising six costume scenes including the wedding,and Cinderella’s coach and horses (in two sections). An inscription inside the front cover reads “To my dear little niece Constance Foley”. S&J Fuller,Temple of Fancy,Rathbone Place,London,1814. Structure and lovely delicate colors of paper dolls and scenes well preserved,coachman’s head missing,one hand missing,stain on book cover. England,1814.

Image @Theriault's.

Around 1810, the London firm of  S. & J. Fuller published books with paper dolls. The 1814 book (or Book of Instruction, as printed on the cover) relates the Cinderella story in verse and is illustrated with cut out figures.

It is interesting to note that Cinderella’s head is removable and can be placed on various paper cut bodies. You see her in the image below walking through a town scape and churning butter. Children could arrange the characters in the paper sets, or drama sheets, and reenact the story.

While these scenic play books became increasingly popular, I imagine that they must have been very expensive and affordable only by the well-to-do.

Image @Theriault's.

The image below contains fancy gowns and the marriage ceremony in which Cinderella marries her prince. Cinderella’s high-waisted costumes have a decided Renaissance influence, and the prince could have doubled for Romeo.

Image @Theriault's.

Cinderella’s head becomes much more refined once she hooks up with the prince, as you can see below. She is given a fashionable hat and a jeweled tiara with feathers. The head can also be placed on the figure in the carriage, when the Cinderella story has come full circle.

Image @Theriault's.

The beautiful versified edition of Cinderella below was donated in 1991 by Ms. Julia P. Wightman to the  The Morgan Library in New York.  Printed in 1819, the paper cut dolls seem more refined than in the 1817 version, especially Cinderella’s head, which has blond hair. Click on the open book images to read portions of the verse.

Image @Morgan Library.

Image @Morgan Library.

Image @Morgan Library.

Image @Morgan Library.

Image @Morgan Library.

The image below is from Picturing Childhood: The evolution of the illustrated children’s book.  Therieaults the Doll Master, Cinderella Paper Dolls, 1814, Published by S. and J. Fuller, London, 5 3/4 in. (14.6 cm) (approx.) Note that Cinderella’s elegant head is placed in the wedding scene. In this instance her hair is dark again..

Image @Picturing Childhood

Below is a more traditional children’s book version of Cinderella. It was published in 1827 and illustrated with hand–colored woodcuts. By the mid-19th century, lithography and printing were being used routinely in book illustrations, but such drawings were still rare when this book came out.

Cinderella, John Harris, London. 1827

In 1812, the Brothers Grimm wrote the Cinderella story that seems more familiar to readers today. By the end of the 19th century, over 300 versions of the Cinderella story existed in Europe. In those years:

The Fairy–Godmother seems more frightening than her later benevolent renderings, such as in Disney’s film version of the story. – Past Times: Cinderella :18th and 19th century Cinderella books.

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Mansfield Park, Brock. Image @Austenprose

During the 17th century, ladies used parasols for protection from the sun. A century later they were using oiled umbrellas as protection from the rain as well. By the early 19th century, the design of the umbrella had improved and its use had become widespread. After Maria’s marriage, Fanny Price was overtaken by a heavy shower close to the Parsonage and sought shelter under an oak. When the Grants spotted her, they sent out a servant, but Fanny was reluctant to come in:

A civil servant she had withstood but when Dr Grant himself went out with an umbrella there was nothing to be done but to be very much ashamed and to get into the house as fast as possible; and to poor Miss Crawford, who had just been contemplating the dismal rain in a very desponding state of mind, sighing over the ruin of all her plans of exercise for that morning, and of every chance of seeing a single creature beyond themselves for the next twenty four hours, the sound of a little bustle at the front door and the sight of Miss Price dripping with wet in the vestibule was delightful. – Jane Austen, Mansfield Park

Beauty in search of knowledge, 1782. This 18th century woman carries an early version of an umbrella. These models were heavy and cumbersome. Image @Harry Elkins Widener Collection, Harvard College

A century before Mansfield Park was published (1814) men did not use umbrellas, which were regarded as women’s accessories:

A young man who borrowed one from a coffee house in a downpour in 1709 was excoriated as effeminate in a newspaper. It would have been a cumbersome model, ill-suited to being carried around. Similar heavy umbrellas were kept in churches to protect the parson during burial services. – A Brief History of the Umbrella 

Yet the following passage from Notes and queries, Volume 54, William White (Oxford University Press, 1876,  p. 202), suggests that men began to use umbrellas earlier than Jonas Hanway, who braved ridicule from street urchins and hackney coachmen, who regarded the use of the umbrella as a threat to their livelihood:

1745 – Paid for umbrella, box and carriage.
It is not stated for whose use this was intended; most probably for the minister when officiating at funerals. This is a remarkable entry, as the introduction of umbrellas into England is attributed to a much later period. The employment of the umbrella in the streets London is said to have been by Jonas Hanway, who died in 1786; but the following passage from the Trivia of Gay, who died in 1732, shows it was in use at a much earlier period

Good housewives Defended by th’ umbrella’s oily shed,
Safe through the wet on clinking pattens tread.”

Wet under foot, James Gillray. Image @Wikigallery. The woman is wearing "clinking" pattens as well as carrying an umbrella.

In 1893, Georgiana Hill wrote this descriptive history of the umbrella in England:

Umbrellas were a recent fashion in the earlier part of the century. During the first ten years of George the Third’s reign, the only umbrellas in use were large carriage umbrellas, which required an attendant to hold them. In the country they were hardly known at all. The philanthropist, Jonas Hanway, in 1756, boldly unfurled an umbrella in the streets of London, being the first man who ventured upon such an innovation. Surely Hanway deserves to be held in grateful remembrance by the male sex for this spirited effort towards the emancipation of his brethren from the thraldom of custom. He was jeered and ridiculed by the populace, but was not to be laughed into giving up the sheltering oilskin. About twenty years later, a valiant footman named John Macdonald began to use a silk umbrella, which he had brought from Spain. The boys shouted after him: “Frenchman, why don’t you get a coach?” but he grasped his umbrella more firmly and went on his way, and in some three months time he was able to use it without exciting remark. Miss J. Gay Trivia Hutton, writing in 1779 from Derbyshire, says: “Mrs Greaves lent us their umbrella, and servant to carry it.” Miss Hutton’s brother was the person to use an umbrella in Birmingham, a Frenchman being the first.

Jonas Hanway. Image @Wikipedia. This caricature depicts how long early umbrella handles were.

The town beau, when he first carried an umbrella, was caricatured in the prints as the rain-beau holding a tiny parasol over his head. A gentleman once borrowed an umbrella from the mistress of a coffee- house in Cornhill, and after the following satirical advertisement in The Female Tatler: “The young gentleman belonging to the Custom house, that for fear of rain borrowed the umbrella from Will’s Coffee house in Cornhill, of the mistress, is hereby advertised to be dry from head to foot on the like occasion he shall be welcome to the maid’s pattens.”

A meeting of umbrellas, James Gillray, 1782. By now, men used umbrellas as a matter of course.

An illustration of the want of umbrellas afforded in one of the caricatures of the period, showing a respectable citizen’s family from Vauxhall in a downpour of rain – the old gentleman with a handkerchief tied over his head to save his wig, and his wife’s cardinal on his to protect his best coat, while the wife herself and her daughters are tripping along in gowns turned up round their waists, and their heads enveloped in coloured handkerchiefs. In 1797 there was one umbrella in all Cambridge, and that was kept at a shop, and let out like a sedan chair ,by the hour. In London women carried umbrellas before men had taken to them, but the first umbrellas were heavy awkward machines made of oilskin or taffeta. Still, in spite of their cumbrous character, women who had to trudge along the streets on rainy days rejoiced in their shelter. With cloak and umbrella, they were able to face the dripping roofs and waterspouts, which were as much to be avoided as the rain. To the fashionable lady. who only walked in fine weather, the one important consideration was the parasol, but it was otherwise with the thrifty citizeness. Great must have been the relief and saving of clothes when the new invention came into use:

Good housewives all the winter’s rage despise,
Defended by the riding hood’s disguise;
Or underneath the umbrella’s oily shade,
Safe through the wet on clinking pattens tread.
Let Persian dames the umbrella’s ribs display,
To guard their beauties from the sunny ray;
Or sweating slaves support the shady load,
When Eastern monarchs show their state abroad;
Britain in winter only knows its aid,
To guard from chilling showers the walking maid.”
– J Gay Trivia

– A history of English dress from the Saxon period to the present day, Volume 1, By Georgiana Hill , 1893, p. 173-74.

The Umbrella, 1820. This cartoon depicts how little protection these early umbrellas afforded. Cruikshank exaggerates the woman's size to demonstrate the point. Image @Art Tattler

Early umbrellas were heavy and cumbersome to use:

Early umbrellas were made of oiled silk with heavy wooden frames which made them difficult to open or close when wet. Whalebone (baleen) was also used but this still made the article heavy. It wasn’t until 1852 that Samuel Fox invented the steel ribbed umbrella claiming that he was using up stocks bought for making corsets. This made umbrellas much lighter and more portable. – Come rain or shine: historic umbrellas and parasols 

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