Fire!
Can there be a more frightening word in Georgian London? The great fire in 1666 changed the landscape of that city forever. Once a densely packed city riddled with overcrowded, wood-timbered houses and dark, narrow lanes, the fire led the way to a change in building regulations that ushered in brick and stone edifices, wider streets, and public squares. Even with improvements, a fire still presented a horrifically dangerous situation.
Thomas Rowlandson captures the scene with such realism in “Inn Yard on Fire” that one can smell the smoke and fear, and hear the horses neighing, people screaming, furniture breaking, and wagon wheels squealing as guests and staff run around trying to save themselves, their possessions, and each other.
Fire at the Inn, by Thomas Rowlandson
Panic and pandemonium ensue. A man contemplates tossing a mirror from the second story, another pours his ineffectual chamber pot over the flames. A side table has been tossed through the window, while an anxious woman descends a ladder.
People are in various states of dress and undress. Some help others, some are overcome with panic. A disabled man is carried from danger in a wheel barrow, while a groom tries to calm two terrified horses.
Elements in Rowlandson’s cartoon show a direct association with classical language and Tobias Smollet. The young man saving the girl in distress is reminiscent of Giambologna’s statue of the Rape of the Sabine Women, as well as Peregrine Pickle’s heroic actions towards Emilia.
Rowlandson
Rape of the Sabine Women
Peregrine Pickle saves Emilia. Image @A World History of Art
Once a fire had gained as much ground as depicted in this illustration, there was little chance of saving the building. Rowlandson shows some people carrying out their belongings, while others were barely able to get dressed. By now an alarm had probably been sounded in the community. Bucket brigades, in which people were arrayed in long lines to the nearest well and passed buckets in a continuous motion, could probably put out a minor fire, but not one of this magnitude. In the 1800s, almost 150 years after the great fire, there was still no centralized fire brigade.
In 1680, a property developer named Nicholas Barbon introduced the first fire insurance, which initially insured buildings but not furniture, fittings, or goods. Insurance companies began to proliferate and formed private fire brigades to protect their customers’ property.
Is this praying elderly couple trapped on the balcony?
In Rowlandson’s cartoon the most the inn keeper can hope for is that the brigade arrives in time to save his structure – if he is insured. This was easier said than done, for many of London’s streets were not named, since many people could not read, and insured properties were difficult to find.
A couple on the second floor frantically attempt to save their belongings.
In the early 1800s the fire mark was developed. These plaques, sometimes brightly painted, would signal which properties were protected by insurance firms. Each fire brigade had its own unique plaque.
Fire mark on a building
If a fire started, the Fire Brigade was called. They looked for the fire mark and, provided it was the right one, the fire would be dealt with. Often the buildings were left to burn until the right company attended! Many of these insurance companies were to merge, including those of London, which merged in 1833 to form The London Fire Engine Establishment, whose first Fire Chief was James Braidwood. Braidwood had come to London after holding the position of the Chief Officer of Edinburgh Fire brigade. Edinburgh’s authorities had formed the first properly organised brigade in 1824. – History of the UK Fire and Rescue Service
There were quite a few fire brigades operating in London in the early 19th century and competition was keen. The companies hired sailors and watermen as part-time employees. An advantage of serving in this position was that these men were protected from being pressed into service, a not inconsiderable benefit during the Napoleonic wars.
Fighting the fire at the Customs House in February 1814.Image@British Museum
Buildings that had no insurance protection were left to burn, although attempts were made to save the surrounding buildings. Firemarks were essential to identify insured buildings:
Arrival of the fire engine, Thomas Rowlandson
Designs included, for Sun Fire Office: a large sun with a face; the Royal Exchange Assurance: their building; and Phoenix: obviously Phoenix rising from the ashes. Later fire marks were made of tin, copper, or similar material. These are more often called fire plates. They were more an advertising medium as most do not have a policy number stamped upon them. – Fire Marks: The First Logos of Insurance Companies
Illustration from Ackermann’s ”Microcosm of London” (1808) drawn by Thomas Rowlandson and Augustus Pugin. Firefighters are tackling a fire which has broken out in houses at the Blackfriars Bridge. Teams of men operate hand pumped equipment. Image @Wikipedia
In 1833 companies in London merged to form The London Fire Engine Establishment, the first step to the various fire brigades being taken over by local government.
The Burning of Drury Lane Theatre from Westminster Bridge 1809. Artist unknown. Image property of the Museum of London.
Equipment was still very basic but in 1721, Richard Newsham patented a ‘new water engine for the quenching and extinguishing of fires’. The pump provided a continuous jet of water with more force than before. This new fire engine became a standard until the early 19th century.
Newsham’s wood pumper, ca. 1731.
The men used the handles to pump the water from a lead-lined trough in the main body of the equipment. The apparatus was quite heavy and difficult to maneuver, but it represented a huge step forward in fire fighting technology. People continually ran back and forth to a water source to fill the trough with water. You could also attach a hose to aim the water to a specific location. During this time, however, hose-making was still in its infancy and many leaked. Water buckets and axes to hack out trapped people and create fire free perimeters were still regarded as standard fire fighting equipment.
The Burning of the Houses of Parliament, 1834 by William Mallord Turner. Such an event must have provided a spectacular yet horrifying scene for onlookers.
Steam powered appliances were first introduced in the 1850s, allowing a greater quantity of water to be guided onto a fire. With the invention of the internal combustion engine, these appliances were replaced in the early 1900s.
James Pollard (British, 1797-1867) London fire engines: The noble protectors of lives and property, 1823. Image @Olympia Art Antiques
This image by James Pollard, and engraved by R. Reeve, shows several insurance brigades hurrying to a fire.
The firemen, of the time, had little training and wore brightly coloured uniforms to distinguish themselves between the different brigades. During large fires they would become very tired through continual pumping of the appliances, and would offer bystanders ‘beer tokens’ in return for their help. – Insurance Firemen and their Equipment
Each company provided different liveries for their men, so that the fire fighters could easily be identified with a particular firm.All insurance firemen wore a large badge on their shoulder to show which insurance company they worked for.
Three uniforms of insurance firemen. All wear a badge
More on the topic:
- How has London Coped With Fires Since 1666?, PDF Document, Museum of London
- London’s Burning, Museum of London
- Not With their Property But with Their Lives
- Rowlandson Image: Lewis Walpole Library
- From Fire Marks to James Braid Wood, the Surveyor who set up the Fire Brigade
- The Wooden Fire Pumper
- The History of Firefighting
Cockburn’s theatre on fire, another dramatic caricature by Rowlandson.
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