Feeds:
Posts
Comments

Posts Tagged ‘Cookery’

Book reviewers are not supposed to reveal their thoughts until the end of their review. I am breaking that rule: I LOVED this book. 

martha-lloyd

Book Cover from Bodleian Shop

The book begins with Deirdre Le Faye’s excellent foreword, which, among many other good points, mentions how contemporary readers who belonged to the same gentry class as the Austens readily associated the family’s culinary choices to their own food preferences.

Martha’s book…was compiled for a family of the Middling Sort, as the expression was—unpretentious households of the literate and professional classes, not landed gentry and not necessarily well off.” – (p viii, Household Book)

Martha Lloyd in her own light

Julienne Gehrer’s comprehensive discussion of Martha Lloyd’s friendship with Jane Austen, her relationship with the Austen family, and her late-life marriage to Sir Francis Austen, Jane’s brother, had me mesmerized. Previously, I only had a general knowledge of Martha’s friendship with Jane, but this book placed their relationship into a clear and loving perspective. Four years after George Austen’s death in 1805 in Bath, the Austen women, with Martha in tow, moved from one rented house to another, until they settled in Chawton Cottage in 1809 on Edward Austen’s Hampshire estate. There, Martha was given a large bedroom. This must have been quite an honor!

Martha’s relationship with the Austens did not end with Jane’s death in 1817, but lasted throughout her life. Her marriage at 62 years of age finally made her an Austen in name as well as in spirit. While Gehrer describes the sisterly affection between Jane Austen and Martha Lloyd in a concise 30 pages, there is so much more to this book that is represented in that short account of their friendship. 

Historical context of Martha’s household book

In this section, Gehrer places Martha’s book in historical context.

… a lady’s household book was an essential tool for managing her home.” (p. 31)

These household books were written by the reigning ladies of the house to communicate with their cook and housekeeper. Early on they were private, not published, and described their own preferences. The books  included recipes and information they inherited from their mothers, relatives, and friends. The women felt free to copy from each other and from popular cookery books, such as Hannah Glasse’s seminal book from 1775. 

Lloyd’s contemporaries would not have known of The Housekeeping Book of Susanna Whatman, written in 1776-1800. It remained a private household book until it was found and published in 1952. My copy from The National Trust reveals Whatman’s knowledge of housekeeping and daily oversight of her servants via her specific instructions. She married young and one can imagine that as a new bride ruling her first household, she must have clung to her mother’s and grandmother’s advice for guidance and comfort. 

Gehrer traces the evolution of these household books and their varied uses. Country or city settings influenced the information that the women included.

Household books compiled in country setting often include ‘A Cure for Mange in Horses or Dogs and the necessary for ‘the cure of the Bite of a Mad Dog’, as does Marrha’s book.” – (p. 37)

The author also gives us tips on working with period recipes, cautioning us about creative spelling during the Georgian period, common word abbreviations, and the variable quantities mentioned, such as ‘a piece of dough the size of a walnut’. Often instructions assume that the cook already knows about which preliminary steps to take or how many hours of preparation might be expected. The modern cook has no such knowledge. Gehrer also cautions:

Many original recipes, both culinary and medicinal, contain ingredients now known to be toxic and are not advised for consumption or use.” – (p. 41)

Nevertheless, many interesting historic recipes remain that can be safely followed, through which this book guides the reader.

Unique details and connections to Jane Austen in Martha’s book

Gehrer then examines why Lloyd’s household book is of such historical importance. Rosa Mary Mowll, a great-granddaughter of Francis Austen and granddaughter of his child, Edward Thomas Austen, wrote a letter to a trustee of the Jane Austen Society about the book, but failed to mention the direct Austen contributions. Her offer was not deemed important and thus this primary source wasn’t initially accepted by the Austen experts from the Society. Thankfully,  her insistence and persistence influenced better minds to prevail and helped the book find its rightful place in history.

In June 1956, Martha Lloyd’s Household Book became part of the collection at Jane Austen’s House…” – (p. 44)

A full description of the book, including missing pages, descriptions of Martha’s script (with photographic images), dates of contributions and the names of contributors are included. The book then makes direct connections to Jane Austen and the recipes in her novels, and her family’s favourite dishes and recipes. Fancy French fare and dinners for the middling sort are described.

…examples of simple and abundant country foods permeate Jane’s writing and Martha’s household book. It is easy to envision Mrs Austen’s Steventon dairy producing pails of milk, pints of cream and pounds of butter, inspiring young Jane’s food-laden ‘Lesley Castle.’” – (p. 60)

Particulars of Martha Lloyd’s household book

This section, which starts on page 67, is the piece de resistance of this book – the first facsimile publication, in color, of this notebook ever. It is followed by a complete transcription of Georgian era cursive writing, and includes detailed annotations that help the modern reader interpret the recipes in ways we can understand. A glossary, extensive notes, and bibliography are included, as well as beautifully reproduced images. 

Contrast this book to The Knight Family Cookbook from the Chawton House Press, 2014. I bought this book at the AGM in Williamsburg in 2019 in support of this important institution and do not regret its purchase, but I would love to see a reissue. The preface by Richard Knight and Introduction by Gillian Dow were a scant 7 pages, followed by a grey and black facsimile of the cookbook without a transcription of the cursive writing, which at times was hard to read or follow, making it hard to interpret the recipes. Again, my purchase went to a good cause, but for practical purposes, I could not make heads or tails of a majority of the recipes.

In conclusion

For those who are intrigued with the story of Martha Lloyd and Jane Austen, a wonderful current companion piece is the recently published Jane Austen’s Best Friend by Zöe Wheddon, which adds so much color and flavor to Martha Lloyd’s Household Book: The Original Manuscript from Jane Austen’s Kitchen. 

About the author

Julienne Gehrer is an author, journalist and food historian who lectures on Jane Austen and the long eighteenth century. Her articles have appeared in Texas Studies for Literature and Language, Jane Austen’s Regency World, and JASNA News. She is the author of several books including this one and Dining with Jane Austen (2017).

More about Martha Lloyd

Purchase the book

Gehrer, J. (2021) Martha Lloyd’s Household Book: The Original Manuscript from Jane Austen’s Kitchen (1st ed., U.K.) Bodleian Library.

UK: Bodleian Shop – Click here to order the book

US: publication August, 2021 – Click here to order the book on Amazon 

Read Full Post »

Four YouTube videos feature the recipes of Mrs. Beeton and her story in a BBC2 show, The Marvellous Mrs. Beeton, hosted by Sophie Dahl. Check the first of four videos here, then find the other videos in YouTube’s sidebar.

Edwardian Promenade lists these videos in its YouTube account. (A visit to the site is well worth your time.) Thank you, Karen Reedy-Wilcox, for pointing out these videos.

Sophie Dahl, hostess and narrator of this show.

Read Full Post »

This image comes from The Library of Congress’s digital collection, and sits in John Trusler’s The honours of the table, or, Rules for behaviour during meals : with the whole art of carving, illustrated by a variety of cuts. Together with directions for going to market, and the method of distinguishing good provisions from bad; to which is added a number of hints or concise lessons for the improvement of youth, on all occasions in life. By the author of Principles of politeness, &c. … For the use of young people, London, 1791

My tenderest emotions go toward that veal, for it did not have much time on this earth to use its knuckle. And yet, Mr. Trusler writes of this delicacy with such feeling.

Read Full Post »

The orange wine will want our care soon. But in the meantime, for elegance and ease and luxury, the Hattons and Milles’ dine here to-day, and I shall eat ice and drink French wine, and be above vulgar economy. Luckily the pleasures of friendship, of unreserved conversation, of similarity of taste and opinions, will make good amends for orange wine.- Jane Austen to Cassandra, Godmersham, June 20, 1808

Icehouse, Bedale Park

Icehouse, Bedale Park

Jane wrote casually of eating ice in a day when the preservation of huge chunks of river and pond ice was no mean feat. Solid blocks of ice were hewn from nearby frozen ponds and rivers in winter, then hauled by teams of horses and men to a suitable storage space. Ships also brought in chunks of ice from glaciers and icebergs.

In early days, deep underground chambers whose doors faced north kept the temperatures freezing inside their heavily insulated structures, preserving the ice for up to two years.  By the 17th and 18th centuries, owners of great houses built icehouses adjacent to their dwellings. These storage spaces had double insulated walls and double doors that kept the warm air out. The cold chambers also kept water, milk, butter, and other perishables refrigerated.  Iced food remained the province of the rich, who could afford to build an ice house and pay servants who shaved the ice and prepared ices, ice sculptures, bombes, and ice cream. Experiments in flavors and designs abounded:

Squirrel ice cream mold, ruby lane antiques

Squirrel ice cream mold, ruby lane antiques

In the late 17th and early 18th century, long before refrigeration was available, Europeans were making ices and ice creams. Although they were often unsure about freezing techniques, they began experimenting with flavors immediately. Confectioners tried everything from breadcrumbs to grated cheese to candied orange flowers in these new frozen treats. They molded them into fanciful shapes and served them with style and flair. Once in a while, they stumbled – putting foie gras or puréed asparagus in ice cream, for example – but most of their experiments were successful. They led the way to the wonderful range of flavors we enjoy today. (Histories, Legends, and Myths of Ices and Ice Cream)

The great chefs were especially creative in the use of ice for preserving food, and making exotic foods. In a day before electricity, intricately carved ice sculptures of swans and cherubs and the like were all the rage in Europe. The great French chef Antonin Careme used iced water to make his spun sugar sculptures and kept desserts on ice and the pastry room cool to keep the unbaked pastries cool. (Crème du Carême)

Recipes for creating ices and ice cream haven’t changed much, but the methods have. By the mid 19th century small portable iceboxes and an ice cream maker had been invented, replacing laborious hand stirring with a handcrank until the mixture thickened. The following is an 18th-century ice cream recipe that illustrates how labor intensive and time consuming ice cream making had once been:

English ice cream pail, Derby 1790

English ice cream pail, Derby 1790. Image from Historic Foods.

Pare, stone and scald twelve ripe Apricots, beat them fine in a Marble Mortar, put to them six Ounces of double refined Sugar, a Pint of scalding Cream, work it through a Hair Sieve, put it into a Tin that has a close Cover, set it in a Tub of Ice broken small, and a large Quantity of Salt put amongst it, when you see your Cream grow thick round the Edges of your Tin, stir it and set it in again ’till it all grows quite thick, when your Cream is all Froze up, take it out of your Tin, and put it in the Mould you intend it to be turned out of, then put on the Lid, and have ready another Tub with Ice and Salt in as before, put your Mould in the Middle, and lay your Ice under and over it, let it stand four or five Hours, dip your Tin in warm Water when you turn it out; if it be Summer, you must not turn it out ’till the Moment you want it; you may use any Sort of Fruit if you have not Apricots, only observe to work it fine. – Ice cream recipe from The Experienced English Housekeeper by Elizabeth Raffald, 1769,  page 228:

  • Georgian Ices and Victorian Bombes is another informative post from Historic Food, one of the most interesting and historical food sites on the web. In it you will find a wealth of illustrations, photos, and information about making ice cream.
  • Lemon Ice: The Jane Austen Centre published a recipe for making lemon ice similar to one made in the 18th century. The article adds additional information about the origins of ice cream.
  • Ice Cream and Chocolate Parlor since 1700 describes an Italian ice cream parlor that has been in existence for over 300 years. Their specialty is an almond ice cream that is probably as easy to make and flavorful as the one below.
  • Histories, Legends, and Myths of Ices and Ice Cream provides a timeline and interesting tidbits of information about ices and ice cream over the ages.

Almond ice cream

Almond ice cream

Read Full Post »

The General between his cocoa and his newspaper, had luckily no leisure for noticing her… Jane Austen, Northanger Abbey

Detail, Chocolate Maid, Jean-Etienne Liotard, 1744-45

Detail, Chocolate Maid, Jean-Etienne Liotard, 1744-45

When sixteenth-century explorers brought cocoa beans from Mexico to Seville in 1585, little did they realize how much their exotic taste would appeal to European palates. Or perhaps they did. At that time hot chocolate was flavored with a mix of peppers and spices.

The first recipe for a chocolate drink was published in Spain in 1644 by Antonio Colmenero de Ledesma in his book, A Curious Treatise of the Nature and Quality of Chocolate. The spices included hot chiles, and the recipe goes as follows:

  • 100 cacao beans
  • 2 chiles (black pepper may be substituted)
  • A handful of anise
  • “Ear flower”  *
  • 1 vanilla pod
  • 2 ounces cinnamon
  • 12 almonds or hazelnuts
  • pound sugar
  • Achiote (annatto seeds) to taste –
  • All of these ingredients were boiled together and then frothed with a molinillo, the traditional Aztec carved wooden tool. The achiote was used to redden the color of the drink.From Chiles and Chocolate

    *Also known as “xochinacaztli” (Nahuatl) or “orejuela” (Spanish).

    “Chiles and Chocolate” goes on to provide another chocolate recipe published in France 50 years later. This one has significantly reduced the amount of chili peppers. The recipe was published in 1692 by M. St. Disdier of France, who was in the chocolate business:

  • 2 pounds prepared cacao
  • 1 pound fine sugar
  • 1/3 ounce cinnamon
  • 1/24 ounce powdered cloves
  • 1/24 ounce Indian pepper (chile)
  • 1 1/4 ounce vanilla
  • A paste was made of these dried ingredients on a heated stone and then it was boiled to make hot chocolate.

    The primary difference between hot cocoa and hot chocolate today is that hot cocoa is made with cocoa powder, which lacks the fat of cocoa butter. Hot chocolate is made from melted chocolate bars mixed with cream.

    According to Khodorowsky and Robert: “The vogue for drinking chocolate, already established in Spain, reached the British Isles thanks to a Frenchman, who in 1657 opened the first chocolate factory in London. Unlike in France, where it was a pleasure strictly limited to the aristocracy, this ‘excellent West Indian drink’ was made available to the middle classes from the outset. Soon, alongside the coffee houses which made their appearance from 1652, there opened the first chocolate houses. London was also the setting, in 1674, for a historic invention: solid chocolate, presented in the form of ‘Spanish rolls’ or pastilles, and sold by the Coffee Mill and Tobacco Roll shop.” – The Gates of Vienna: The History of Cacao and Chocolate

    Spanish, ceramic tiles, making chocolate

    Spanish, ceramic tiles, The laborious process of making chocolate

    After 1700 chiles disappeared as a major ingredient in chocolate drinks, although they were still used in traditional Mexican mole sauces. In Sweetness and Power: The Place of Sugar in Modern History, Sidney Mintz offers a plausible explanation for the replacement of sugar for chiles:

    Raimundo Madrazo, Hot Chocolate, mid-18th Century

    Raimundo Madrazo, Hot Chocolate, mid-18th Century

    The seemingly unquenchable desire for sugar in the modern world is not simply the outcome of the tongue’s biologically based affinity for sweetness, but rather the historical result of a conjuncture of factors. As Mintz traces sugar’s transformation from a medicinal additive to a luxury good among the upper classes, he argues that sugar “embodied the social position of the wealthy and powerful.” He points to “sugar’s usefulness as a mark of rank—to validate one’s social position. To elevate others, or to define them as inferior.” Sugar use traveled down to other classes in large part because their members accepted the meanings of their social superiors: “those who controlled the society held a commanding position not only in regard to the availability of sugar, but also in regard to at least some of the meanings that sugar products acquired … the simultaneous control of both the foods themselves and the meanings they are made to connote can be a means of a pacific domination.” – Tasting Empire: Chocolate – History cooperative

    English worcester porcelain chocolate cup, 1800

    English worcester porcelain chocolate cup, 1800

    During the 18th century, techniques were invented to improve the grinding of cocoa beans and by the end of that century chocolate was prepared with milk and sugar. It wasn’t until the 19th century that chocolate was molded into shapes and eaten as solid bars.

    Even with the new grinding mills, the process of making chocolate remained laborious. Jim Gay, who makes chocolate in Colonial Williamsburg, explained in an article for American Heritage Chocolate:

    The chocolate production process [he] follows involves “roasting cocoa beans, shelling them, crushing them in a large mixing bowl and transferring them to a heated grinding stone. Using an iron rolling pin, the cocoa beans are ground into a liquid and sugar and spices are added.”  Gay explained that 18th-century chocolate “isn’t something you’re used to.” Its less sweet than modern chocolate and grittier because its impossible to grind the particles that finely using hand-made processes. Gay also said that “each month [the chocolate] has a slightly different texture and flavor; the flavor profiles always [change].” – http://www.dogstreetjournal.com/story/3152

    untitled

    Chocolate beans ground into powder

    The craze for drinking tea, chocolate, and coffee during this period resulted in an increased demand for porcelain and ceramic tea sets, chocolate pots, and coffee mugs. In response to public demand porcelain manufactures began to make specialized vessels that reflected the unique requirements that each beverage demanded in brewing and presentation, and which led to instantly identifiable tea, chocolate, andd coffee set. Coffee pots were generally taller and slimmer than short round tea pots, which were designed to keep boiling water hot. As in the image below, spouts were placed low on the body of small chocolate pots, which also sported a straight handle.

    In comparison to chocolate pots, coffee pot spouts were long and sometimes arched, while the chocolate pot spout was fairly short (see image below). The inside of a coffee pot spout typically had a filter, or small partition with holes that kept the grounds from getting into the cup. A chocolate pot was made with a hinged finial that allowed for the insertion of a swizzle stick for stirring the hot chocolate. To prevent their loss, some of these finials were attached to the pot with a silver chain.

    Due to the complexity of making the beverage, chocolate never attained the same popularity as coffee. By the latter part of the 18th century coffee houses had sprung up by the hundreds in London, and although the craze for chocolate had largely gone out of fashion by 1750, one of the most famous chocolate houses, White’s, still leaves a lasting impression:

    The fame of St. James’s Street rests mainly upon its association with the coffee or chocolate houses and clubs which for some two and a half centuries have made it and Pall Mall the social rendezvous of masculine aristocratic society in London. This association dates back to the reign of William III, and more particularly to the fire of January 1697/8 which ravaged the Palace of Whitehall and resulted in the removal of the Court to St. James’s. Only two chocolate houses- White’s (1693) and Ozinda’s (1694)-are known to have been in existence in St. James’s Street and Pall Mall before the fire, but the succeeding years saw the establishment of the Cocoa Tree (1698), the Smyrna (1702), the Thatched House Tavern (1704 or 1705) and the St. James’s Coffee House (1705), all catering for the new client created in the neighbourhood by the presence of the Court of St. James.- Jermyn Street Asscociation

    Noritake chocolate set

    Noritake chocolate set

    More links on the topic:

    Read Full Post »

    Older Posts »

    %d bloggers like this: