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Archive for the ‘Regency Life’ Category

One of the most pivotal decisions in Pride and Prejudice was when Elizabeth Bennet agreed to visit Pemberley’s gardens and grounds with the Gardiners, only to suddenly encounter Mr. Darcy, who was not slated to return until the next day.

Such a visit to grand estates by the well-heeled and more common folk like Elizabeth and her aunt and uncle were quite common in the 18th century. They would have purchased an inexpensive guide book at a local inn or town, and read information about the paintings and objects inside the great houses, and a description of the gardens and their rustic buildings and ornaments.

Prospect of Stowe House by Benton Seeley

Stowe in particular was a destination point for visitors. Its magnificent gardens and grounds were a model and inspiration for other gardens of the Romantic era, which echoed the movement’s reverence for nature and aesthetic ideals. The blog of the current Duke of Buckingham and Chandos contains this passage:

“The house and gardens at Stowe, my family seat, were tourist attractions from around 1724, when my ancestor Lord Cobham set out the gardens. People came to visit the gardens and house, sometimes invited, often not. Topographical notes and poems were written. And in 1744 the first full guidebook to the house and grounds was published by Benton Seeley, a writing master in Buckingham. The guidebooks continued for a further 70 years and Seeley went on to become a printer and publisher, founding a business that wound up only in 1978.” – Duke of Buckingham and Chandos 

Seeley's plan of the house and gardens at Stowe.

Benton Seeley’s guidebook, Stowe: A Description of the Magnificent House and Gardens of The Right Honourable Richard Grenville Temple, Earl Temple… Embellished with a General Plan of the Gardens, and also a separate Plan of each Building, with Perspective Views of the same, was published in the same year that Elizabeth Montague described Stowe’s gardens as “beyond description, it gives the best idea of Paradise that can be.” Visitors came away from viewing Stowe’s natural gardens inspired to implement changes to their own grounds. Seeley’s guidebook helped to spread Stowe’s influence throughout the 18th century as the model for the ideal English garden. (Today the original guidebook sells for close to $2,000.)

Thomas Jefferson owned at least two of Seeley’s guidebooks. In fact, Stowe’s reputation as a gardening attraction had spread beyond the British Isles:

“When well-heeled Americans traveled to England in the late eighteenth century, they often sought out famous gardens to inspire their own designs at home. As Benton Seeley’s Stowe: A Description of the Magnificent House and Gardens shows, the gardens at Stowe were particularly large and ornate, featuring temples, pavilions, and statues strewn about the grounds. Thomas Jefferson and John Adams visited Stowe together in 1786 in what Abigail Adams called their “journey into the country.”- Better Homes and Gardens, Stanford University

Corinthian Arch

Seeley’s Guide Book became historically significant. It went through seventeen editions between 1744 and 1797, continually undergoing improvements and revisions. The book’s influence was such that it helped to make the Stowe gardens among the most publicized and copied of the English landscape model. However, Seeley’s was not the only guidebook written for the famed Stowe gardens. In 1732 Lord Cobham’s nephew Gilbert West wrote a lengthy poem The Gardens of the Right Honourable Richard Viscount Cobham that is actually a guide to the gardens in verse form. Charles Bridgeman commissioned 15 engravings of the gardens from Jacques Rigaud, and these were published in 1739 (Wikipedia), five years before Seeley’s guide.

The Stowe gardens and grounds were extensive, offering planned vistas along a winding path, parterres, canals, large swaths of meadows, places for isolation and retreat, rustic buildings, and an emphasis on natural grandeur over formal symmetry. The 4th Baronet, Viscount Cobham, who married a rich brewery heiress, implemented the garden changes at Stowe in 1711. By 1724, the gardens rested on 24 acres and required the labor of 30 men. Garden maintenance cost the family 827 pounds in 1749-1750. Multiply that amount by 50, and you gain a quick idea of the cost in today’s terms. This sum represented almost all the spare money Lord Cobham could afford on the house and grounds.

The grotto was originally designed by William Kent in the late 1730s as a symmetrical, freestanding structure decorated with flints, colored glass, and shells. Soon covered over with earth, it was then described as a “romantic retirement.” By the 1780s, it was more deeply buried, resurfaced with tufa, and planted with vines and conifers for a cavernous effect.- Romantic Gardens: Nature, Art, and Landscape Design, 2010, The Morgan Library Museum

In “A fine house richly furnished: pemberley and the visiting of country houses,” Stephen Clarke, a London lawyer and architectural historian discusses the kind of information a guidebook owner could expect. A New Description of Blenheim by Mayor, 1811, offered the following General Information in its preface:

“BLENHEIM may be seen every afternoon, from three till five o’Clock, except on Sundays and public Days. On Fair days at Woodstock, likewise, it can be seen only by particular permission.

COMPANY who arrive in the morning may take the ride of the Park, or the walk of the Gardens, before dinner, and after that visit the Palace.

The CHINA GALLERY, PARK, and GARDENS, will, on proper application, be shewn at any hour of the day, except during the time of Divine Service on Sundays.”

In 1776, the Wilton visitors book showed 2, 324 visitors in the last year.

The housekeeper guides Elizabeth and the Gardiners through Pemberley's interior

As discussed on this blog in another post, The Housekeeper as a Guide to a Great Country Estate, housekeepers and other servants stood to make a great deal of extra money from tourists.

“The rapacity of housekeepers-and, in the larger houses, of the other staff–was a common complaint. At Blenheim during his tour of 1810-1811, Louis Simond was required to pay the porter at the gate, the woman showing the china collection, the woman showing the theatre, the woman showing the pleasure grounds, the gardener showing the park, and the upper servant showing the house–at a total cost of 19s. (qtd. in Ousby 81). There are similar complaints of Woburn, Chatsworth, and other great houses. Horace Walpole wryly remarked that he should have married his own housekeeper, who had grown rich on showing Strawberry Hill, as the only way of recouping some of his expense on the house (Walpole Correspondence 33, 411) –

At most houses, the traveller would send in his name to the porter or housekeeper to request access–at Hagley in 1800 Mrs. Lybbe Powys, (5) a perceptive visitor of country houses, noted that “we sent in our names for leave to walk round Lord Curzon’s [actually Lord Lyttelton’s] grounds, and he desired we would go into any part of it we chose, without being attended by his gardener” (Lybbe Powys 339). Elizabeth and the Gardiners were of course accompanied by the gardener in the park at Pemberley, as was normal. – A fine house richly furnished: pemberley and the visiting of country houses, Stephen Clarke

In the YouTube video below, one can get a sense of Stowe’s grounds and gardens in the first 3 ½ minutes. Enjoy the tour!

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Child's hand-embroidered dress, c 1810. Image @Vintage Textile

I love visiting Vintage Textile, one of the best, most descriptive vintage fashion sites on the Internet. The Regency era fashions are superb. Take this embroidered child’s dress, which was once white. It was made for a child around one or two years of age. The dress, which came from a New England estate, is long, like a christening dress, which suggests that the child would have been carried in it. The fabric is made of a lightweight cotton broadcloth, and the Persian-style Tree of Life embroidery design is made with wool floss. For more images and information about the dress or to purchase it, click here. 

Detail of sleeve with Van Dyke points and embroidery. Images@Vintage Textile

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Princess Charlotte's embroidered linen mittens

Among the fashion items in Kensington Palace are a pair of hand-embroidered mittens owned by Princess Charlotte, daughter of George 1V and Caroline of Brunswick  (the Princess Diana of her day) who died tragically young in 1817 while in childbirth. Read more: Mail Online

Silk 18th C. mittens. Image @Metropolitan Museum

Your average 18th century mitt would have a thumb (or rather half a thumb), but not have any other fingers. It would sometimes extend not just over the hand but over part of the fingers as well. This meant that it would keep you warm (or protected from the sun in the summer) but not hinder your movements at all. You could do things like write, draw or do needlework with mitts on. And combined with a muff, they were quite enough even for venturing outside in the winter.” – Mitts & Fingerless Gloves

18th century mittens. Image @Metropolitan Museum of Art

Mrs. Bates and Miss Bates wearing lacy mitt gloves

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High Perch Phaeton

Gentle readers, Patty of Brandy Parfums is an avid fan of history, horses, Jane Austen, and Georgette Heyer. She is also a devoted reader of this blog.  Just recently she wrote ‘Georgette Heyer for Horse Lovers’ for the October issue of Horse Directory Magazine. Patty has graciously allowed me to reproduce her article for Jane Austen’s World.

Walnut Hill Driving Competition, the largest driving competition in North America held each August in Pittsford NY, has no speed classes for high-perch phaetons. They tip over too easily to be safe. Yet in the colorful, elegant world of English author Georgette Heyer’s romance novels, many with references to horses, intrepid heros and heroines drive these carriages around corners at high speeds without tipping over.

Georgette Heyer published her first novel in 1921, when she was nineteen, and went on to write over fifty novels. She was especially known for her witty Regency romance novels, and was widely copied and imitated. If you have never heard of her, it is because after a badly made movie based on one of her novels, The Reluctant Widow, came out in 1951, Heyer put in her will that she did not want any other of her books turned into movies.

In Heyer’s Bath Tangle, Major Hector Kirkby questions Lady Serena Carlow about her choice of a high-perch phaeton with its “bottom five feet from the ground” and pair of horses. Major Kirkby says –

‘Serena,-my dearest! I beg you won’t! I know you are an excellent whip, but could you not have a more dangerous carriage!’

‘No! If I were not an excellent whip!…….The difficulty of driving them is what lends a spice!’

Cover of Bath Tangle by Heyer's favorite cover artist, Arthur Barbosa

The Heyer heros and heroines, who are skilled equestrians known as bruising riders, ride horses they treasure, like Maid Marion that Lady Serena rides in Bath Tangle.

By Jove, Lady Serena, you’re a devil to go!’ Mr. Goring exclaimed, in involuntary admiration. She laughed, leaning forward to pat the mare’s steaming neck. ‘I like a slapping pace, don’t you?’

‘I should have called it a splitting pace!’ he retorted…..’My heart was in my mouth when you rode straight for that drop fence!’

The more stable crane necked phaeton with smaller wheels

Because Heyer’s novels take place when horses were used for transportation, carriages and coaches breakdown in many of her books. In The Corinthian, there is little horse activity in the beginning except a coach breaking down, but the hero, Sir Richard Wyndham, a bored bachelor and renowned whip, is sure to get into action at some point in the story. Sir Richard (Ricky) asks his friend, the Honourable Cedric (Ceddie).

Ceddie, were you driving your own horses yesterday?’

‘Dear old boy, of course I was, but what has that to say to anything?’

‘I want ’em,’ said Sir Richard………I must have a fast pair immediately.’

My favorite Heyer novel so far for horseyness is The Quiet Gentleman, a Regency romance and mystery of sorts, with Gervase Frant, the Earl of St Erth, a subdued dandy returning home from military duties at Waterloo. Mr. Warboys says –

‘……..that’s a devilish good-looking hunter you have there, St Erth! Great rump and hocks! Splendid shoulders! Not an inch above fifteen-three, I’ll swear! The very thing for this country!’

‘Oh, he is the loveliest creature!’ Marianne said, patting Cloud’s neck. He makes no objection to carrying me in this absurd fashion: I am sure he must be the best-mannered horse in the world!’

Cover of Infamous Army with horse. Image@Sourcebooks

Georgette Heyer wrote her romance novels over a period of many years and they were always best sellers even during WWII in England, when their lively, entertaining content helped people forget their misery. Heyer also wrote mysteries, and more serious historical fiction like the superb An Infamous Army, which takes place in Brussels in 1815 during the time of Waterloo. Infantry and calvary movements are so accurately described that this book is required reading at Sandhurst.

Other horsey and just plain amusing novels recommended include The Masqueraders, False Colors, Arabella, Sylvester or the Wicked Uncle and The Grand Sophy, a work unfortunately marred by the appearance of a cliché moneylender.  Sourcebooks has reissued many of Heyer’s fifty novels and they are proving quite popular – a wonderful diversion for our uncertain times.

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This is the first video of the film, The Reluctant Widow. Only 9 of the 10 videos are featured. Have no fear, this 1951 film is so badly made that you will probably not make it that far. Click on this link to access it.

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Dressing in a 1790s round gown is a short 23 second clip.

This video of getting into an 1805 gown has been around longer, but is worth revisiting. Koshkacat has a fabulous site. In this video one can see why a maid’s (or a relative’s) help is required.

At the bottom of this web page by Wm Booth Draper, you will see the sort of straight pins that were used to close gowns.

This chocolate brown chintz cloak from 1790 has a cream and turquoise floral print. The hood and edges are deeply pleated, and the entire garment is lined in cream flannel with a scarlet floral print and a tan print cotton. Images@Christie’s.

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