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I can hardly believe we’ve arrived at November in Jane Austen’s World! After 10 months of this series, it’s proved an experience I won’t soon forget. What a fantastic journey! As we turn now to Jane Austen’s life, letters, and novels in the month of November, I can’t wait to explore Jane’s Regency world in the fall!

If you’d like to catch up on previous months, you can find each post of the “A Year in Jane Austen’s World” series here: January, February, March, April, May, June, July, August, September, and October.

As is our tradition, let’s first take a look at Jane Austen’s beautiful Hampshire countryside this time of year. As you might imagine, the yellow and golds of fall are on display and the weather has changed. Here is a gorgeous photo of the Chawton landscape this time of year:

Chawton House in November: Photo @ChawtonHouse.

November in Hampshire

November is the time for crisp weather, rain, and pretty fall colors. I found this lovely description of November weather in Austen’s letters:

Castle Square (21 November 1808): 

“How could you have a wet day on Thursday? With us it was a prince of days, the most delightful we have had for weeks; soft, bright, with a brisk wind from the southwest; everybody was out and talking of spring, and Martha and I did not know how to turn back. On Friday evening we had some very blowing weather,—from six to nine; I think we never heard it worse, even here. And one night we had so much rain that it forced its way again into the store-closet; and though the evil was comparatively slight and the mischief nothing, I had some employment the next day in drying parcels, etc. I have now moved still more out of the way.”

Wouldn’t you love to walk with Jane in that beautiful soft, bright day with its brisk wind! I’ve enjoyed quite a few similar walks this past week where I live and it’s exhilarating.

Jane Austen’s House Museum and gardens are always so pretty. Here is a recent November photo:

Jane Austen’s House in November, Photo: @JaneAustensHouse.

November in Jane Austen’s Letters

We don’t have many letters from the month of November in Austen’s collection of surviving letters, but November produces a few interesting details such as these:

20 November 1800 (Steventon):

  • Night out: “Your letter took me quite by surprise this morning; you are very welcome, however, and I am very much obliged to you. I believe I drank too much wine last night at Hurstbourne; I know not how else to account for the shaking of my hand to-day. You will kindly make allowance therefore for any indistinctness of writing, by attributing it to this venial error. Naughty Charles did not come on Tuesday, but good Charles came yesterday morning. About two o’clock he walked in on a Gosport hack. His feeling equal to such a fatigue is a good sign, and his feeling no fatigue in it a still better. He walked down to Deane to dinner; he danced the whole evening, and to-day is no more tired than a gentleman ought to be.“
  • Dance partners lacking: “There were only twelve dances, of which I danced nine, and was merely prevented from dancing the rest by the want of a partner. We began at ten, supped at one, and were at Deane before five. There were but fifty people in the room; very few families indeed from our side of the county, and not many more from the other. My partners were the two St. Johns, Hooper, Holder, and a very prodigious Mr. Mathew, with whom I called the last, and whom I liked the best of my little stock.”
  • Jane’s appearance for the ball: “Mary said that I looked very well last night. I wore my aunt’s gown and handkerchief, and my hair was at least tidy, which was all my ambition.”

21 November 1808 (Castle Square):

  • First thoughts on Chawton Cottage: “There are six bedchambers at Chawton; Henry wrote to my mother the other day, and luckily mentioned the number, which is just what we wanted to be assured of. He speaks also of garrets for store-places, one of which she immediately planned fitting up for Edward’s man-servant; and now perhaps it must be for our own; for she is already quite reconciled to our keeping one. The difficulty of doing without one had been thought of before. His name shall be Robert, if you please.”
Black and white pen and ink drawing of the cottage by Ellen Hill
Chawton Cottage by Ellen Hill

November in Jane Austen’s Novels

Sense and Sensibility

  • Lucy Steele Visits Barton Park: Elinor tells Marianne, “I have known it these four months. When Lucy first came to Barton Park last November, she told me in confidence of her engagement.” 

Pride and Prejudice

  • Mr. Collins Visits Longbourn: He writes to Mr. Bennet: “If you should have no objection to receive me into your house, I propose myself the satisfaction of waiting on you and your family, Monday, November 18th, by four o’clock, and shall probably trespass on your hospitality till the Saturday se’nnight following, which I can do without any inconvenience, as Lady Catherine is far from objecting to my occasional absence on a Sunday, provided that some other clergyman is engaged to do the duty of the day.”
  • Mr. Darcy and Mr. Bingley leave Netherfield in November: “How very suddenly you all quitted Netherfield last November, Mr. Darcy! It must have been a most agreeable surprise to Mr. Bingley to see you all after him so soon; for, if I recollect right, he went but the day before. He and his sisters were well, I hope, when you left London?”
Mr. Collins comes to Longbourn, Pride & Prejudice (1995).

Mansfield Park

  • Sir Thomas returns home: “November was the black month fixed for his return. Sir Thomas wrote of it with as much decision as experience and anxiety could authorise. His business was so nearly concluded as to justify him in proposing to take his passage in the September packet, and he consequently looked forward with the hope of being with his beloved family again early in November.”
  • Maria marries in November: “Mrs. Rushworth was quite ready to retire, and make way for the fortunate young woman whom her dear son had selected; and very early in November removed herself, her maid, her footman, and her chariot, with true dowager propriety, to Bath, there to parade over the wonders of Sotherton in her evening parties; enjoying them as thoroughly, perhaps, in the animation of a card-table, as she had ever done on the spot; and before the middle of the same month the ceremony had taken place which gave Sotherton another mistress.”
  • November gloom and dirt (mud): “Not only at home did [Fanny’s] value increase (‘with the departure of her cousins’), but at the Parsonage too. In that house, which she had hardly entered twice a year since Mr. Norris’s death, she became a welcome, an invited guest, and in the gloom and dirt of a November day, most acceptable to Mary Crawford.”
Michelle Ryan as Maria Bertram in Mansfield Park.

Emma

  • Mr. Woodhouse argues autumn colds: “That has been a good deal the case, my dear; but not to the degree you mention. Perry says that colds have been very general, but not so heavy as he has very often known them in November. Perry does not call it altogether a sickly season.”
  • Jane Fairfax catches a November cold: “Jane caught a bad cold, poor thing! so long ago as the 7th of November, (as I am going to read to you,) and has never been well since. A long time, is not it, for a cold to hang upon her? She never mentioned it before, because she would not alarm us. Just like her! so considerate!—But however, she is so far from well, that her kind friends the Campbells think she had better come home, and try an air that always agrees with her; and they have no doubt that three or four months at Highbury will entirely cure her—and it is certainly a great deal better that she should come here, than go to Ireland, if she is unwell. Nobody could nurse her, as we should do.”
  • Emma and Mr. Knightley must return from their seaside honeymoon by November, so that Isabella and her husband can stay at Hartfield with Mr. Woodhouse:
    • “[Emma and Mr. Knightley] had determined that their marriage ought to be concluded while John and Isabella were still at Hartfield, to allow them the fortnight’s absence in a tour to the seaside, which was the plan.”
    • “But Mr. John Knightley must be in London again by the end of the first week in November.”
    • “[Emma] was able to fix her wedding-day—and Mr. Elton was called on, within a month from the marriage of Mr. and Mrs. Robert Martin (in September), to join the hands of Mr. Knightley and Miss Woodhouse.”
Bill Nighy as Mr. Woodhouse in Emma (2020).

November Dates of Importance

And now for our monthly round-up of November dates of importance relating to Jane and her family:

Family News:

  • November 1796: Jane’s brother James Austen engaged to Mary Lloyd, a close family friend.
  • 17 November 1798: James Austen’s son, James-Edward, born.
  • November 1797: Edward Austen moves his family from Rowling to Godmersham Park in Kent.

Historic Dates:

  • 9 November 1799: Napoleon becomes First Consul of France.
  • 20 November 1815: The Treaty of Paris is signed, officially ending Napoleonic wars.

Writing:

  • 1 November 1797: Jane’s father, Reverend Austen, offers “First Impressions” to Thomas Cadell, a London publisher, but is ultimately unsuccessful.
  • November 1797: Austen begins revisions on “Elinor and Marianne,” which later becomes Sense and Sensibility.
  • November 1813: 2nd editions of Pride and Prejudice and Sense and Sensibility released.
  • November 1813: Mansfield Park accepted for publication (most likely).
  • 13 November 1815: Austen visits the Prince Regent’s Library at Carlton House, where she receives the invitation to dedicate a future novel to him.
Jane Austen reluctantly dedicated Emma to the Prince Regent, at his request.

Sorrows: I am happy to report that I could not find any major family sorrows during the month of November in the family history, biographies, or letters.

Looking Toward December

This truly has been an enormous joy each month, and as this is the penultimate post for this series, I cannot tell you all how excited I am to round out the series next month as we explore December in Jane Austen’s World, Jane’s birthday, and all things Regency Christmas!


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog. She is the bestselling author of The Little Women Devotional, The Anne of Green Gables Devotional and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Now Available: The Secret Garden Devotional! You can visit Rachel online at www.RachelDodge.com.

Inquiring Readers,

For over 10 years I have searched for a full digitized copy of John Tallis’s London street views, 1838-1840. It is 328 pages long and includes an introduction with a biographical essay of Tallis by Peter Jackson.This book, digitized by Google from an original copy owned by the University of Michigan, also includes revised and enlarged views of 1847 London.

Purpose of this Blog Post:

The resources in this post are aimed at the interests of:

  • Authors who are researching details of London’s streets and maps during the Regency era and Early Victorian London, as well as contemporary paintings and illustrations from that period.
  • Faculty and teacher research.
  • Student learning regarding research and uncovering historical details.
  • Our readers’ curiosity and for those who are interested in learning more about 19th century London.

About Hathi Trust:

London Street Views can be found on the Hathi Trust website.

Our story:
HathiTrust was founded in 2008 as a not-for-profit collaborative of academic and research libraries now preserving 18+ million digitized items in the HathiTrust Digital Library. We offer reading access to the fullest extent allowable by U.S. and international copyright law, text and data mining tools for the entire corpus, and other emerging services based on the combined collection.”

HathiTrust digital library:
The HathiTrust Digital Library is home to millions of digitized books and publications. Our team works diligently alongside research institutions to preserve and grow this collection while providing lawful access to visitors around the world.”

This link leads directly to London Street Views

This very useful site also offers links to many more books from the past, where you’ll find a rich source of 18+ million unique and historic books that have been digitized. Forty per cent can be read by the public, and copyrights and access are explicitly explained. See “How to Search and Access.”

In addition:

Find thousands of Images at the London Picture Archive, which is managed by The London Archives on behalf of the City of LondonCorporation.

For Example, when I typed “Hyde Park” in this site’s search bar, a wealth of images appeared that gave life to Austen’s era. Combined with the Tallis maps, these resources provide a more comprehensive view of life during the Regency era as it was, as opposed to reproductions in today’s film sets, lets say. (Also see Horwood’s Maps in the link at the end of this post.)

New Bond Street

River Thames

West view of St. Paul’s Cathedral and surrounding streets

Who is John Tallis?:

John Tallis: 1816-1876

The biographic introduction to this book by Peter Jackson includes a vast amount of information about his life. (Image @ Hathi Trust)

Other information about Tallis:

“The Life of John Tallis – Map Maker and Cartographer”: biography excerpt from the Old Maps Library blog

“Tallis … produced a series of street views of central London that are breathtaking. His images showed detailed views of the streets using the facades of the buildings. These street views are much like we use Google street view today, giving us a sense of what the city looked like in the early Victorian era.”

“Tallis was born in Stourbridge, Worcestershire in 1817, and moved to London in about 1841… A blue plaque commemorates his final residence at 233, New Cross Road. He died in 3 June 1876.”

Memorial Plaque. Image of his house as well @ London Remembers

More information about London Streets in this blog:

 

Horwood’s 1804 Map of London, blog post published 2021 on this site.

 

 

By Brenda S. Cox

“My idea of good company, Mr. Elliot, is the company of clever, well-informed people, who have a great deal of conversation; that is what I call good company.”—Anne Elliot, Persuasion

This year I enjoyed plenty of “good company” at the yearly Jane Austen Festival in Bath. Every September, Janeites gather from around the world to enjoy a wide range of events.

This year’s Jane Austen Festival was held Sept. 13-22.

Program cover for the Jane Austen Festival, 2024, in Bath.

After a few pre-Festival events,  the 2024 Jane Austen Festival officially kicked off with a Grand Regency Costumed Promenade on Saturday morning. Organizers were expecting 1100 people in full Regency dress. We walked through Bath, from the Holbourne Museum at Sydney Gardens (near one of the Austen’s homes in Bath) all the way up to the Assembly Rooms (the “Upper Rooms” in Austen’s time).

Soldiers and musicians led the parade. The promenaders, including men and women, boys and girls, swept up the wide streets. The weather was cool and sunny, unlike the first time I attended the Festival, when it was rainy and I ended up with a muddy petticoat, like Elizabeth Bennet!

More than a thousand people in Regency dress promenade the streets of Bath at the Jane Austen Festival.

The promenade ended at the Festival Fayre in the Assembly Rooms. All kinds of Regency goods were on offer, from the wonderful Jane Austen’s Regency World Magazine to gloves, bonnets, socks, dresses, jewelry, and much more.

I was fortunate enough to have a ticket to the Netherfield Ball that evening. A dance workshop prepared us in the afternoon. It was quite a treat to get to dance in the Assembly Rooms! (Outside of Festival dates, the Rooms are now closed most of the time, since the Fashion Museum moved out, but tours are offered occasionally.)

If you’ve never tried Regency dancing, the basics are not too difficult. The dance workshop gave good preparation, and the caller walked us through each dance before we danced it. You switch partners often, and ladies often dance with ladies, since gentlemen are always scarce. We all occasionally make mistakes, laugh about them, and keep dancing. This is true of all the Austen dances I’ve been to, in England and America.

This year’s Festival included three balls: one for experienced dancers on the first Friday, the Netherfield Ball I attended on the first Saturday, and a Northanger Abbey Gothic Soiree on the second Saturday, plus many dance workshops and demonstrations. Lots of dancing!

A mini-promenade rounded out the festival on the final Sunday, for those who missed the main promenade.

Ladies and gentlemen lined up for a country dance at the Netherfield Ball in the Bath Assembly Rooms. Jane Austen Festival, 2024.

Many wonderful events were offered. I could only attend a small fraction of them. Here are the types of events. I’ll tell you about a few of the ones I got to participate in, then list others to give you a taste.

Tours

Though I know Bath fairly well, I signed up for an interesting tour called “Romantic chic lit or radical writer.” The guide took us around to Austen-related sites in Bath, speculating about Austen’s more radical leanings and challenges in her life.

Other tours offered, for those who wanted to see more of Bath and its surroundings: theatrical walking tour with dramatic entertainment; minibus tour to Hampshire to see places Jane Austen lived; variety of walking tours of Bath; canal cruise; minibus tour to “Meryton” and “Longbourn”; Jane Austen’s Bath homes; ghost walk; “Beastly Bath,” focusing on disagreeable aspects of the city in Austen’s time; walking tour to nearby Weston; twilight tour of the delightful No. 1 Royal Crescent, set up as an eighteenth century home; Gothic novel tour; and tour of Parade House in Trowbridge.

Workshops

I enjoyed “Singing with Jane Austen.” We learned and sang together songs from Austen’s time. Some were silly children’s songs, others songs from Austen’s music teacher.

Other workshops offered, for those who like hands-on activities: dancing, croquet, silhouette embroidery, building Northanger Abbey (drawing gothic buildings), fencing, bonnet and turban making, fabric dyeing, parasol making, Regency games, reticule making, Regency hand sewing, and making a spencer.

Musical Events

At a lovely concert in the Assembly Rooms, we got to hear music from Austen’s own collection, played on the harp and pianoforte. What a treat that was, especially hearing a harp like the one Mary Crawford enchanted Edmund with.

One of my favorite events was a demonstration of popular dances throughout Austen’s lifetime. The Jane Austen Dancers, in “Dancing in the Footsteps of Jane Austen,” danced them all for us, from the minuet to the waltz. They even showed us the “reel” that Mr. Darcy challenged Elizabeth to enjoy.

Gillian Dooley also spoke on Jane Austen and Music, playing and singing some of the songs. I missed that one, but I look forward to hearing her at the JASNA AGM.

Concert at the Assembly Rooms with Lisa Timbs – Square Piano, Annemarie Rhys Jones – Harp, and Verity Joy – Soprano.
Jane Austen Dancers, demonstrating dances of Jane Austen’s time chronologically, at St. Swithin’s Church.

Church

The “Regency Church Service” at Bath Abbey on the first Sunday included Regency church music, and many of us dressed in Regency clothes to attend. Evensong that afternoon was another chance to enjoy a lovely worship service sung by a choir of young people and adults. 

Talks

I had the privilege of talking about the church in “Why Mr. Collins: The Church and Clergy in Austen’s England.” The wonderful venue was St. Swithin’s Church: the church where Austen’s parents were married, where William Wilberforce got married, and where Austen’s father is buried, as well as Fanny Burney. It’s also mentioned in Northanger Abbey as Walcot Church, since it is the parish church of Walcot.

Later in the week, I enjoyed hearing Lizzie Dunford of the Jane Austen House talk about Jane Austen and classic fairytales.

John Mullan also gave two fascinating talks, one on dancing in the novels, and one on dialogue in the novels. He shed light on many relevant quotes from the novels.

I learned more about Regency health and taking the waters at the new Bath Medical Museum. This museum is tiny and has limited opening hours, but includes helpful information and exhibits.

Other talks, for those who like me who love to learn all they can about Jane Austen’s world, covered: fashion; Jane Austen and London; the Assembly Rooms: “Romance, Rows, and Riots”; social rules about love, courtship, and marriage; movie locations; “Race for an Heir,” the royal family in Austen’s time; Austen’s life; and the theatre.

Demonstrations

I loved “Stargazing at the Herschel Museum of Astronomy with the Bath Astronomers.” We got to explore this delightful museum, early home of William and Caroline Herschel. William Herschel discovered the planet Uranus from his backyard at this building. His sister Caroline, the first professional woman astronomer, discovered a number of comets. Once it got dark, we trooped outside where we saw the space station pass overhead, watched stars, and learned about heavenly bodies from astronomers. We were all sorry to leave when the next group arrived.

In another demonstration, “a whole campful of soldiers” was set up to demonstrate drills and marching. Talks on soldiers’ wives and on dueling gave more insight into soldiers’ lives.

The militia lining up for the Promenade at the Jane Austen Festival in Bath. His Majesty’s 33rd Regiment of Foot graced us with their presence.

Accessories

I appreciate people who collect Regency items and are willing to show them to us, explain them, and even let us handle them. Two of my favorite talks were on “Rummaging through the Reticule,” showing examples of the many items a Regency lady might carry in her reticule, and “Stand and Deliver! Desirable Dress Accessories in the Georgian Age,” showing items a Regency gentleman might carry, and which a highwayman might steal. I wasn’t able to attend “The Etiquette of Dining,” but it included demonstrations with period “silver, porcelain, and domestic items.”

Mark Wallis displays men’s accessories that a highwayman might have taken. Jane Austen Festival, Bath, 2024.

Discussions

It was great fun throughout the Festival to meet with other people passionate about Jane Austen and discuss her works and life together. At “Sew Chatty,” we brought our current sewing projects so we could sew together and chat, as women in Austen’s day did. “Book clubs” also met to discuss Pride and Prejudice and Mansfield Park. Our group had a lively discussion of Mansfield Park, touching on the characters of Fanny Price, Mary Crawford, Mrs. Price, and others. We wondered whether or not Fanny has a flaw to overcome and grows as a character during the novel. (What do you think?)

Ladies sewing and chatting together at “Sew Chatty” in the Coppa Club at the Bath Townhouse.

Food was shared, of course, at Regency breakfasts, a Sunday afternoon picnic,  and high teas at “Highbury” (in the Jane Austen Centre Regency Tea Room). Other participants went on their own to enjoy tea or a meal at the Pump Room.

Other events included a Regency hair salon, a murder mystery with the audience as detectives, and several shows, including “Lady Susan.” Visitors also of course enjoyed the Roman Baths, the Royal Crescent, and other sights around Bath.

Overall I think a great time was had by all. Kudos to Georgia Delve, the Festival Director (and one of the Jane Austen Dancers), and her wonderful team who organized it all and kept everyone in the right places!

The Jane Austen Festival is a delightful opportunity to connect with other Janeites, learn, and have fun. Next year’s Festival will be Sept. 12-21. Since 2025 is the 250th anniversary of Jane Austen’s birth, special celebrations will be held and a large crowd is expected, so book your accommodations early. (I use booking.com; no doubt there are other good options.) If you’re planning to go, I recommend that you become a Festival Friend, for £35, to get first priority on booking popular events like balls; those tickets sell out quickly.

Regency dress is required for certain events—balls and promenades—but optional for others. For most events, some people dressed up, others didn’t. I was impressed that many people wore their Regency clothes around Bath all week long. I wasn’t quite that dedicated, myself. I did get great ideas for new outfits, though.

If you attended the Festival this year or in previous years, please tell us what your favorite events were.

All photos, except the program cover, © Brenda S. Cox, 2024.

Reviewed by Brenda S. Cox

“I have seen nobody in London yet with such a long chin as Dr Syntax” (Jane Austen, March 2, 1814).

I just finished reading, cover to cover, a brand-new book which is over 200 years old. The Tour of Doctor Syntax in Search of the Picturesque, by William Combe, is a classic which Jane Austen herself enjoyed. But it’s out in a new edition, with wonderful illustrations, explanations, and comments.

A fun new annotated version of The Tour of Doctor Syntax, including parallels with Jane Austen’s novels!

The story in verse was first published from 1809-1811 as a series in Ackermann’s Poetical Magazine. Ackermann had a series of prints by the great caricaturist Thomas Rowlandson. They featured a country clergyman with a long pointed chin and a tall white wig traveling through the countryside. Ackermann gave Combe the illustrations for each issue of the magazine, and Combe wrote a section of the story to go with them. He didn’t know ahead of time what the pictures would be for the next issue, but somehow he came up with a coherent story. One interesting facet is that Rowlandson apparently intended to satirize the clergy, but Combe made Syntax into a good, learned man, a little silly, but lovable.

A book version came out in 1812. Dr. Syntax was wildly popular and stayed in print, with multiple printings and editions, well into the 1800s.

This new version of The Tour of Doctor Syntax was edited and annotated by an advanced high school class and their professor, Dr. Ben Wiebracht. Ben actually discovered Dr. Syntax through one of my posts right here at Jane Austen’s World. Recognizing its potential for his class on “Jane Austen and Her World,” he asked Vic Sanborn, owner and primary writer of this website, and myself, to share with his class. Vic owns some lovely Rowlandson prints. We both loved connecting with such bright and interested students, who asked knowledgeable questions.

The Book

They’ve done a brilliant job with the book. It starts with a biography of William Combe and the history of the book itself. Combe’s challenges as a writer in Austen’s age were fascinating to me, as a writer myself. A clear introduction explains “the picturesque,” which is mentioned in Austen’s novels. Parallel to the text are straightforward explanations of difficult terms and phrases. That makes them easy to quickly reference. A glossary in the back gives terms previously defined.

The best part, for me, are comments pointing out parallels with Jane Austen’s work. I can’t even begin to list these, but there are many great insights. Some are about the clergy in Austen’s work, since Syntax is an underpaid country curate like Charles Hayter of Persuasion. Many comments have to do with the “picturesque,” “improvement” and country estates ranging from Sotherton to Pemberley. Others relate to the class system, Gothic novels, and other topics.

The full text of the poem/story is opposite explanations, comments, and illustrations, making them easy to access. The Tour of Doctor Syntax, 2024.
“Doctor Syntax Tumbling into the Lake,” by Thomas Rowlandson. One of the lovely full-page illustrations for this new version of The Tour of Doctor Syntax.
Victorian illustration, 1838, of the same scene, by Alfred Crowquill. The Tour of Doctor Syntax includes both the Rowlandson and Crowquill illustrations.

I also loved the illustrations. The editors chose the best versions they could find of each of the full-page, hand-colored pictures by Rowlandson that were the basis of the book. They added illustrations from a later Victorian version, as well as other entertaining and illuminating cartoons and pictures from the time.

Interview with the Editor

I’ll let Dr. Wiebracht himself tell you more about how this book came about.

Ben, please tell me about your class that produced this book.

The class is called “Jane Austen and Her World” and it’s designed for advanced juniors and seniors. The goal is to see Austen’s novels not as sealed-off masterpieces, floating in a historical vacuum, but as windows into her world. Most class days, our Austen reading is accompanied by shorter texts designed to create a sense of context and show how Austen was in conversation with her contemporaries. For instance:

  • We pair Austen’s account of Bath in Northanger Abbey with a number of late 18th-c. satires of Bath, 18th-c. dance music, and illustrations of the city by Rowlandson and others.
  • We pair Catherine’s pseudo-Gothic adventures in Vol. II with excerpts from The Monk, The Castle of Otranto, and The Mysteries of Udolpho.
  • We pair the private theatricals in Mansfield Park with a viewing of a performance of Lover’s Vows, as well as specimens of anti-theatrical criticism from the period, including a satire on private theatricals by Jane’s brothers!
  • We pair the discussion of landscape gardening in Mansfield Park with images from Humphry Repton’s famous “red books” showing “before and after” estate grounds.

The idea is to understand Austen in a deeper way by developing the practice of “reading outward.” And we incorporate that principle in our work for the class. Instead of the usual school essays, students work with me to create a critical edition of a neglected text from Austen’s time, with annotations and other resources that draw connections between the text and Austen’s life and work.

The class enrolled 16 students (the maximum). They hailed from all over the country and world: Japan, China, and many different U.S. states. This was my first time teaching the course, though I developed the core ideas in an Austen unit for a previous course. In the future, I will probably teach the course every three years. The book project in particular is a heavy lift, and I’m not capable of it every year!           

How did you end up studying Dr. Syntax along with Jane Austen?

I have to back up a bit here. In the course of an Austen unit for a previous class, students and I had created a critical edition of a long-forgotten 1795 poem called Bath: An Adumbration in Rhyme. We used that book to launch a new series called “Forgotten Contemporaries of Jane Austen.” Its goals are:

  • to recover neglected but valuable texts from Austen’s time, and
  • to trace new connections between Austen and her contemporaries.

As I was preparing my Austen class, I settled on Doctor Syntax (first brought to my attention in JAW by one of your articles!) for three reasons.

  • First, the poem had undeniable literary-historical importance – one of the all-out bestsellers of the Regency. A critical edition, I thought, was long overdue.
  • Second, many of its themes – from the plight of poor clergy to the “picturesque” – were major concerns of Austen’s novels, too.
  • Finally, the poem was simply a really good read. Combe’s verses are light, fun, and at times even touching, and Rowlandson’s accompanying illustrations are some of his best work. In every way, the poem deserved to be revived!

What do you hope readers will gain from the book?

There are a lot of things I hope people take away! One would be a deeper appreciation of just how engaged Austen was in the debates and issues of her day. Sometimes Austen is talked about as something of a provincial writer, sealed off from the wider Regency world, modestly toiling away on her “pictures of domestic life in country villages,” as she once put it. But when we keep in mind just how much of a smash hit Doctor Syntax was, and when we consider the many, many parallels between this work and Austen’s novels, which our edition lays out in detail, then we see Austen differently. She now starts looking like a very savvy writer, who understood what the major issues of the day were, what readers were interested in. To be sure, she stuck to her convictions and drew on her own experience and observations, but she did so in a way designed to appeal to a broad, national readership.

I’m also excited for people to meet this poet William Combe, who had one of the most interesting lives of any Regency writer. He was a remarkable literary talent. He doesn’t fit the mold of the “Romantic poet,” which is one reason he might be overlooked. Instead he offers a light, generous humor that shows us that Regency poetry wasn’t all about Byronic heroes and Wordsworthian dreamers. There was a sociable, comic side to the poetry of the period. Combe represents that comic side particularly well.

Finally, I would love it if this book inspired other teacher-scholars to undertake collaborative research with their students – especially at the upper-high-school level. There are so many benefits. For students, it’s a more rewarding and enjoyable approach to literary scholarship than the usual school essays. For teachers, it’s a welcome relief from the role of “judge/grader” – instead you get to teach through co-creation, as is done in most trades through the apprenticeship model. And for the reading public, there’s the benefit of the work produced! I am convinced that student involvement, with the right guidance and leadership from the teacher, leads to better scholarship. It certainly has in my experience.

By the way, while we don’t offer a Kindle edition, we do offer a free etext in the form of a downloadable PDF on our website. We decided from the beginning to be an open-access publisher, in part to make it easier for teachers with low-income students to assign our books. The best way to use the e-text is to enable the 2-page view in your pdf reader – that way the text and notes are neatly parallel, as in the physical book. The etext can also be used as a supplement to the physical book – for instance if you want to do a text search for a particular word.

How did you and the students share the work on this project?

Each student was responsible to annotate one of the poem’s 26 cantos, about ten pages of text. I did the other ten cantos myself. Students also had one or more additional responsibilities, which included:

  • Researching aspects of Combe’s life
  • Researching Gilpin and the picturesque
  • Compiling chronologies
  • Drawing maps
  • Designing the cover
  • Editing the text according to scholarly standards

My job was twofold. First, I offered regular feedback on work in progress, helping students learn how to navigate library databases, write good, concise annotations, etc. I also did the parts of the book that were a bit beyond the reach of high-school students, even excellent ones, which all the students who worked on this book were! For example, I wrote most of the introductory materials, as well as some of the trickier annotations. I helped with the final prose, too, to ensure continuity of voice. That doesn’t mean, though, that the best stuff is mine. Many of the best, most insightful annotations in the book are entirely by students, and every one of my students has some of their own writing, their own voice in the final book – which was a major priority for me. And just as students benefited from my feedback, I benefitted from theirs. They fully earned their editor credits in the final book.

Final Thoughts

Dr. Wiebracht and his class did an amazing job. I highly recommend this book, which is available on Amazon and from Jane Austen Books at a discount. I have not yet read the earlier book in the series, Bath: An Adumbration in Rhyme, but now I want to get hold of that and read it, too!

If you’re at the JASNA AGM this month, you can hear Ben and some of his students speak, and get them to sign your copy of the book. (Unfortunately I’m speaking in a slot opposite theirs, as well as other excellent speakers at that time, so you’ll have to choose! It’s always challenging.) Their talk is also available in the virtual version of the AGM.

The price is very reasonable for a book with color illustrations. I hope you’ll get a chance to enjoy and learn from this lovely book!

As we enjoy the crisp air of autumn, let’s take a tour of October in Jane Austen’s World! We’ll look at her life and times through the lens of her letters, novels, and personal interests and see what we can learn about Regency life in the month of October.

If you’re just jumping on the bus, you can find previous articles in the “A Year in Jane Austen’s World” series here: January, February, March, April, May, June, July, August, and September.

First off, let’s see what Jane Austen’s beautiful Hampshire countryside looks like in October. Big changes occur as the month continues, which means the lush green of summer turns to the yellow, gold, and ruby colors of fall. Here is a stunning photo of Chawton House Gardens:

Chawton House in October: Photo @ChawtonHouse.

October in Hampshire

October in Jane Austen’s Hampshire brings a total change of atmosphere. The leaves turn, and the weather cools and crisps, just like the apples in the orchard at Chawton House. As is our tradition, I’ve collected a few snippets from Austen’s letters regarding the season change, weather, and gardens/orchards:

24 October 1798 (“Bull & George,” Dartford): “My day’s journey has been pleasanter in every respect than I expected. I have been very little crowded and by no means unhappy. Your watchfulness with regard to the weather on our accounts was very kind and very effectual. We had one heavy shower on leaving Sittingbourne, but afterwards the clouds cleared away, and we had a very bright chrystal afternoon.”

27 October 1798 (Steventon): “I understand that there are some grapes left, but I believe not many; they must be gathered as soon as possible, or this rain will entirely rot them.”

24 October 1808 (Castle Square): “We have just had two hampers of apples from Kintbury, and the floor of our little garret is almost covered.”

11 October 1813 (Godmersham Park): “We had thunder and lightning here on Thursday morning, between five and seven; no very bad thunder, but a great deal of lightning. It has given the commencement of a season of wind and rain, and perhaps for the next six weeks we shall not have two dry days together.”

Such detailed descriptions of October! Here now is a current glimpse of Jane Austen’s House Museum and its gardens in October:

Jane Austen’s House in October, Photo: @JaneAustensHouse.

October in Jane Austen’s Letters: Jane’s Writing

While there are other October letters to consider, there is one excerpt that requires our attention first because it pertains to the safekeeping of Austen’s writing!

24 October 1798 (“Bull and George,” Dartford):

  • “I should have begun my letter soon after our arrival, but for a little adventure which prevented me. After we had been here a quarter of an hour it was discovered that my writing and dressing boxes had been by accident put into a chaise which was just packing off as we came in, and were driven away toward Gravesend in their way to the West Indies. No part of my property could have been such a prize before, for in my writing-box was all my worldly wealth, 7l., and my dear Harry’s deputation. Mr. Nottley immediately despatched a man and horse after the chaise, and in half an hour’s time I had the pleasure of being as rich as ever; they were got about two or three miles off.”

Thank goodness her writing box was found (and any money stowed in it). And what a beautiful description: “all my worldly wealth.” Though money and paperwork are important, one wonders if any of her writing might also have been in that box–a letter, a scene, a phrase. That would be treasure indeed.

Regency Era traveling writing desk.

October in Jane Austen’s Letters: A Great Loss

Now we must turn our main focus to Austen’s letters dating from October 1808. For those of us who take a personal interest in Jane Austen’s life and family, this is the month when Elizabeth Austen, Edward’s darling wife, died (10 October 1808).

Elizabeth Austen nee Bridges (1773-1808) married Edward Austen (Knight) on 27 December 1791, in Goodnestone, Kent, England. They had a large family and were very happily married. She was 35 when she passed and Edward never remarried.

The letters between Jane and Cassandra during that time are particularly tender. Both sisters mourned her death, but as is usual when a family member loses a spouse, they were even more concerned for Edward and his children (Jane’s nieces and nephews). I highly recommend reading the letters in full on your own, but below are several excerpts that share the beautiful manner in which Jane and Cassandra helped to comfort Edward and his children as they grieved the lost of a beloved wife and mother:

13 October (Castle Square):

  • First news of Elizabeth’s death: “My dearest Cassandra,—I have received your letter, and with most melancholy anxiety was it expected, for the sad news reached us last night, but without any particulars. It came in a short letter to Martha from her sister, begun at Steventon and finished in Winchester.”
  • Family Condolences: “We have felt, we do feel, for you all, as you will not need to be told,—for you, for Fanny, for Henry, for Lady Bridges, and for dearest Edward, whose loss and whose sufferings seem to make those of every other person nothing. God be praised that you can say what you do of him: that he has a religious mind to bear him up, and a disposition that will gradually lead him to comfort.”
  • Fanny Knight: “My dear, dear Fanny, I am so thankful that she has you with her! You will be everything to her; you will give her all the consolation that human aid can give. May the Almighty sustain you all, and keep you, my dearest Cassandra, well; but for the present I dare say you are equal to everything.”
  • Update on the boys: “You will know that the poor boys are at Steventon. Perhaps it is best for them, as they will have more means of exercise and amusement there than they could have with us, but I own myself disappointed by the arrangement. I should have loved to have them with me at such a time. I shall write to Edward by this post.”
Patchbox with portrait of Elizabeth Austen, courtesy of Jane Austen’s House.

15 October (Castle Square):

  • Concern for Edward: “Your accounts make us as comfortable as we can expect to be at such a time. Edward’s loss is terrible, and must be felt as such, and these are too early days indeed to think of moderation in grief, either in him or his afflicted daughter, but soon we may hope that our dear Fanny’s sense of duty to that beloved father will rouse her to exertion. For his sake, and as the most acceptable proof of love to the spirit of her departed mother, she will try to be tranquil and resigned. Does she feel you to be a comfort to her, or is she too much overpowered for anything but solitude?”
  • Concern for Lizzy: “Your account of Lizzy is very interesting. Poor child! One must hope the impression will be strong, and yet one’s heart aches for a dejected mind of eight years old.”
  • Mourning clothes for Cassandra: “Your parcel shall set off on Monday, and I hope the shoes will fit; Martha and I both tried them on. I shall send you such of your mourning as I think most likely to be useful, reserving for myself your stockings and half the velvet, in which selfish arrangement I know I am doing what you wish.
  • Mourning clothes for Jane: “I am to be in bombazeen and crape, according to what we are told is universal here, and which agrees with Martha’s previous observation. My mourning, however, will not impoverish me, for by having my velvet pelisse fresh lined and made up, I am sure I shall have no occasion this winter for anything new of that sort. I take my cloak for the lining, and shall send yours on the chance of its doing something of the same for you, though I believe your pelisse is in better repair than mine. One Miss Baker makes my gown and the other my bonnet, which is to be silk covered with crape.”
  • Sisterly Condolences: “That you are forever in our thoughts you will not doubt. I see your mournful party in my mind’s eye under every varying circumstance of the day; and in the evening especially figure to myself its sad gloom: the efforts to talk, the frequent summons to melancholy orders and cares, and poor Edward, restless in misery, going from one room to another, and perhaps not seldom upstairs, to see all that remains of his Elizabeth. Dearest Fanny must now look upon herself as his prime source of comfort, his dearest friend; as the being who is gradually to supply to him, to the extent that is possible, what he has lost. This consideration will elevate and cheer her. Adieu. You cannot write too often, as I said before. We are heartily rejoiced that the poor baby gives you no particular anxiety. Kiss dear Lizzy for us. Tell Fanny that I shall write in a day or two to Miss Sharpe.”
From Beatrice Knight’s article on Regency Mourning. Click HERE to read her article on this topic.

24 October (Castle Square):

  • Edward’s sons arrive: “Edward and George came to us soon after seven on Saturday, very well, but very cold, having by choice travelled on the outside, and with no greatcoat but what Mr. Wise, the coachman, good-naturedly spared them of his, as they sat by his side. They were so much chilled when they arrived, that I was afraid they must have taken cold; but it does not seem at all the case: I never saw them looking better.”
  • Jane’s Affectionate Observations: “They behave extremely well in every respect, showing quite as much feeling as one wishes to see, and on every occasion speaking of their father with the liveliest affection. His letter was read over by each of them yesterday, and with many tears; George sobbed aloud, Edward’s tears do not flow so easily; but as far as I can judge they are both very properly impressed by what has happened. Miss Lloyd, who is a more impartial judge than I can be, is exceedingly pleased with them.”
  • Entertaining the boys: “George is almost a new acquaintance to me, and I find him in a different way as engaging as Edward. We do not want amusement: bilbocatch, at which George is indefatigable, spillikins, paper ships, riddles, conundrums, and cards, with watching the flow and ebb of the river, and now and then a stroll out, keep us well employed; and we mean to avail ourselves of our kind papa’s consideration, by not returning to Winchester till quite the evening of Wednesday.”
  • Church on Sunday: “I hope your sorrowing party were at church yesterday, and have no longer that to dread. Martha was kept at home by a cold, but I went with my two nephews, and I saw Edward was much affected by the sermon, which, indeed, I could have supposed purposely addressed to the afflicted, if the text had not naturally come in the course of Dr. Mant’s observations on the Litany: ‘All that are in danger, necessity, or tribulation,’ was the subject of it.”
  • Sunday walk: “The weather did not allow us afterwards to get farther than the quay, where George was very happy as long as we could stay, flying about from one side to the other, and skipping on board a collier immediately.”
  • Sunday evening: “In the evening we had the Psalms and Lessons, and a sermon at home, to which they were very attentive; but you will not expect to hear that they did not return to conundrums the moment it was over… While I write now, George is most industriously making and naming paper ships, at which he afterwards shoots with horse-chestnuts, brought from Steventon on purpose; and Edward equally intent over the ‘Lake of Killarney,’ twisting himself about in one of our great chairs.”
A game of “Spillikins,” image courtesy of the Jane Austen Centre. Read their article for the rules of the game!

25 October (Castle Square) – contained in the same post:

  • Updates on Edward: “All that you say of Edward is truly comfortable; I began to fear that when the bustle of the first week was over, his spirits might for a time be more depressed; and perhaps one must still expect something of the kind.”
  • Adventures to Northam and Hopeful Plans for Netley: “We had a little water-party yesterday; I and my two nephews went from the Itchen Ferry up to Northam, where we landed, looked into the 74, and walked home, and it was so much enjoyed that I had intended to take them to Netley to-day; the tide is just right for our going immediately after moonshine, but I am afraid there will be rain; if we cannot get so far, however, we may perhaps go round from the ferry to the quay. I had not proposed doing more than cross the Itchen yesterday, but it proved so pleasant, and so much to the satisfaction of all, that when we reached the middle of the stream we agreed to be rowed up the river; both the boys rowed great part of the way, and their questions and remarks, as well as their enjoyment, were very amusing; George’s inquiries were endless, and his eagerness in everything reminds me often of his uncle Henry.”
  • Evening Entertainment: “Our evening was equally agreeable in its way: I introduced speculation, and it was so much approved that we hardly knew how to leave off.”
Site of the Itchen ferry in the 18th C.

October in Jane Austen’s Novels

Sense and Sensibility

  • Private Balls and Parties: “When Marianne was recovered, the schemes of amusement at home and abroad, which Sir John had been previously forming, were put into execution. The private balls at the park then began; and parties on the water were made and accomplished as often as a showery October would allow.”
  • Colonel Brandon’s Fateful Letter: “The first news that reached me of her [little Eliza] came in a letter from herself, last October. It was forwarded to me from Delaford, and I received it on the very morning of our intended party to Whitwell; and this was the reason of my leaving Barton so suddenly, which I am sure must at the time have appeared strange to every body, and which I believe gave offence to some. Little did Mr. Willoughby imagine, I suppose, when his looks censured me for incivility in breaking up the party, that I was called away to the relief of one whom he had made poor and miserable; but had he known it, what would it have availed? Would he have been less gay or less happy in the smiles of your sister? No, he had already done that, which no man who can feel for another would do. He had left the girl whose youth and innocence he had seduced, in a situation of the utmost distress, with no creditable home, no help, no friends, ignorant of his address! He had left her, promising to return; he neither returned, nor wrote, nor relieved her.”
Alan Rickman as Colonel Brandon, Sense and Sensibility (1995).

Pride and Prejudice

  • Mr. Collins Writes to Mr. Bennet: Excerpts from letter, from “Hunsford, near Westerham, Kent, 15th October,” read as follows:

    “The disagreement subsisting between yourself and my late honoured father always gave me much uneasiness; and, since I have had the misfortune to lose him, I have frequently wished to heal the breach: but, for some time, I was kept back by my own doubts, fearing lest it might seem disrespectful to his memory for me to be on good terms with anyone with whom it had always pleased him to be at variance… As a clergyman, moreover, I feel it my duty to promote and establish the blessing of peace in all families within the reach of my influence…

    “If you should have no objection to receive me into your house, I propose myself the satisfaction of waiting on you and your family, Monday, November 18th, by four o’clock, and shall probably trespass on your hospitality till the Saturday se’nnight following, which I can do without any inconvenience, as Lady Catherine is far from objecting to my occasional absence on a Sunday, provided that some other clergyman is engaged to do the duty of the day.”
David Bamber as Mr. Collins, Pride and Prejudice 1995.

Mansfield Park

  • Tom Bertram on Hunting: “We have just been trying, by way of doing something, and amusing my mother, just within the last week, to get up a few scenes, a mere trifle. We have had such incessant rains almost since October began, that we have been nearly confined to the house for days together. I have hardly taken out a gun since the 3rd. Tolerable sport the first three days, but there has been no attempting anything since.”
  • Mr. Crawford on Fanny: “You see her every day, and therefore do not notice it; but I assure you she is quite a different creature from what she was in the autumn. She was then merely a quiet, modest, not plain-looking girl, but she is now absolutely pretty. I used to think she had neither complexion nor countenance; but in that soft skin of hers, so frequently tinged with a blush as it was yesterday, there is decided beauty; and from what I observed of her eyes and mouth, I do not despair of their being capable of expression enough when she has anything to express. And then, her air, her manner, her tout ensemble, is so indescribably improved! She must be grown two inches, at least, since October.”
  • Miss Crawford’s Response: “Phoo! phoo! This is only because there were no tall women to compare her with, and because she has got a new gown, and you never saw her so well dressed before. She is just what she was in October, believe me. The truth is, that she was the only girl in company for you to notice, and you must have a somebody.”
Fanny Price refusing Henry Crawford.

Emma

  • Emma Longs for Isabella’s Christmas Visit: “[Emma’s] sister, though comparatively but little removed by matrimony, being settled in London, only sixteen miles off, was much beyond her daily reach; and many a long October and November evening must be struggled through at Hartfield, before Christmas brought the next visit from Isabella and her husband, and their little children, to fill the house, and give her pleasant society again.”
  • Mrs. Weston on Mr. Frank Churchill and Jane Fairfax: “‘You may well be amazed,’ returned Mrs. Weston, still averting her eyes, and talking on with eagerness, that Emma might have time to recover— ‘You may well be amazed. But it is even so. There has been a solemn engagement between them ever since October—formed at Weymouth, and kept a secret from every body. Not a creature knowing it but themselves—neither the Campbells, nor her family, nor his.—It is so wonderful, that though perfectly convinced of the fact, it is yet almost incredible to myself. I can hardly believe it.—I thought I knew him.'”
  • Mr. and Mrs. Weston’s Pain: “Engaged since October,—secretly engaged.—It has hurt me, Emma, very much. It has hurt his father equally. Some part of his conduct we cannot excuse.”
  • Emma and Mr. Knightley get married in October:
    • “Before the end of September, Emma attended Harriet to church, and saw her hand bestowed on Robert Martin…”
    • “The Mr. Churchills were also in town; and they were only waiting for November. The intermediate month was the one fixed on, as far as they dared, by Emma and Mr. Knightley. They had determined that their marriage ought to be concluded while John and Isabella were still at Hartfield, to allow them the fortnight’s absence in a tour to the seaside, which was the plan.”
    • “But Mr. John Knightley must be in London again by the end of the first week in November.”
    • “[Emma] was able to fix her wedding-day—and Mr. Elton was called on, within a month from the marriage of Mr. and Mrs. Robert Martin, to join the hands of Mr. Knightley and Miss Woodhouse.”
Gwyneth Paltrow as Emma Woodhouse, Emma 2009.

October Dates of Importance

This brings us now to several important October dates relating to Jane and her family:

Family News:

7 October 1767: Edward Austen born at Deane.

25 October 1804: Austen family returns to Bath and lives at 3 Green Park Buildings East.

October 1806: Austen women move to Southampton to live with Francis Austen and wife Mary.

14 October 1812: Edward Austen officially adopts “Knight” as surname.

4 October 1815: Austen travels to London and stays two months to nurse Henry during his illness.

Historic Dates:

19 October 1781: Major British defeat at the Battle of Yorktown, marking the end of the fighting during the American Revolutionary War.

16 October 1793: Marie Antoinette executed in France.

1 October 1801: Truce between Britain and France.

21 October 1805: Nelson defeats French-Spanish fleet at the Battle of Trafalgar.

Writing:

October 1796: Austen begins writing “First Impressions” (later revised as Pride and Prejudice).

30 October 1811: Sense and Sensibility published “By a Lady.”

Sorrows:

10 October 1808: Elizabeth Austen (Edward’s wife) dies after eleventh childbirth.

Battle of Trafalgar.

October

As we round the corner into the last few months of the year, it’s fascinating to find so many interesting tidbits each month in Jane Austen’s letters, novels, and life. Next month, we’ll take a look at November in Jane Austen’s World!


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog. She is the bestselling author of The Little Women Devotional, The Anne of Green Gables Devotional and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Now Available: The Secret Garden Devotional! You can visit Rachel online at www.RachelDodge.com.