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Book Review by Brenda S. Cox of So Odd a Mixture: Along the Autistic Spectrum in Pride and Prejudice

It’s not often that I read something that invites me to look at one of my favorite books, Pride and Prejudice, in a totally new way. Recently, after a presentation I gave on “Mr. Collins: Jane Austen’s Most Memorable Clergyman” (which you can watch here), a participant asked if I had considered the idea of Collins being on the autistic spectrum. I hadn’t.

She recommended the book So Odd a Mixture: Along the Autistic Spectrum in Pride and Prejudice, by Phyllis Ferguson Bottomer. Of course I love to learn from other Janeites, so I bought the book for my Kindle. I found it fascinating. I can’t say I agree with everything the author says. But the book was full of quotes from Pride and Prejudice, and I read it as eagerly as if I were reading the novel again, since I was looking at it from a different point of view.

So Odd a Mixture: Along the Autistic Spectrum in Pride and Prejudice, by Phyllis Ferguson Bottomer, explores the possibility of eight characters in Pride and Prejudice having characteristics of autism.

Autism and Austen

Phyllis Bottomer is a speech language pathologist who has worked with students with mild or level 1 autism. She also loves Jane Austen. Watching a Pride and Prejudice adaptation, she was suddenly struck by the similarity between a character’s statement and a statement by Dr. Temple Grandin. Grandin describes her own experience as a woman with autism in Thinking in Pictures. This led Bottomer to reconsider Pride and Prejudice’s characters, comparing them with various sources on autism. She found many similarities.

Early in the book, the author gives us a helpful background chapter on “Autistic Spectrum Disorders for Janeites.” A chapter follows on Jane Austen for the autism specialists who may be reading.

Temple Grandin’s book Thinking in Pictures gives a first-person account of life with autism.

The title of So Odd a Mixture comes from Austen’s description of Mr. Bennet as “so odd a mixture of quick parts [abilities], sarcastic humour, reserve, and caprice.” Bottomer suggests that Mr. Bennet and other characters in Pride and Prejudice are on the autistic spectrum. She includes Mr. Collins, Mary Bennet, Lydia Bennet, Mrs. Bennet, Anne De Bourgh, Lady Catherine De Bourgh, and last, but certainly not least, Fitzwilliam Darcy. This seems a high number for a disorder affecting less than 5% of the population, according to the website Autism Speaks. However, autism does tend to run in families, according to that same website.

While Bottomer discusses each one extensively in their own chapter, I will just give a few of her reasons for classifying these characters as “on the spectrum.”

Mr. Collins

I find her arguments about Mr. Collins the most convincing. Bottomer cites Collins’s awkwardness in social situations, his unawareness of social cues, his preparing compliments ahead of time (approaching social tasks with “slow conscious calculation”), his limited emotional depth, and his “obliviousness” as characteristics of those with ASD.

Collins reads Fordyce’s Sermons aloud to the family, although he knows that young ladies don’t like such books. This shows that, like many on the spectrum, he has difficulty applying social knowledge to specific situations. Bottomer compares Mr. Collins’s dislike of novels to Temple Grandin’s. She strongly prefers nonfiction to “novels with complicated interpersonal relationships,” which are more challenging for autistic people to understand. (A more recent study has shown this is not true of all autistic people. Autistic children, like neurotypical children, tend to prefer fiction over nonfiction.)

Bottomer analyzes Collins’s unsympathetic letter to the Bennets about Lydia’s elopement. She concludes that Mr. Collins will be a poor clergyman, unable to give emotional support to the people of his parish. This is likely true, since Collins is proud and judgmental. However, Austen presents Mr. Collins more as someone from a disadvantaged background, with a miserly, illiterate (meaning not well-educated) father, who is trying to operate in spheres of society he did not grow up in. He may also be neurodivergent, we don’t know for sure.

Like some (but not all!) people on the spectrum, Mr. Collins prefers nonfiction to novels.

Mary and Lydia Bennet

I was surprised to see both Mary and Lydia included here, as they are so opposite in personality.

Bottomer diagnoses Mary as having “mild to moderate autism.” Mary is intellectual, preferring to deal with ideas rather than feelings. She is unaware of how those around her react to her, as evidenced by her singing at the Netherfield Ball and not understanding Elizabeth’s signals to her to stop. The author considers Mary’s admiration of Mr. Collins to be “a case of like minds being attracted to each other.” She quotes a study* which found that women with mild autism were usually in relationships with mildly autistic men. Men on the spectrum, on the other hand, gravitated toward relationships with neurotypical women, as Mr. Collins does. So, as many readers have concluded, Mary might have been a good match for Mr. Collins. (*Maxine Aston, Aspergers in Love, 2003)

Lydia, according to the author, also has “poorly developed social skills.” She interrupts Mr. Collins, dominates conversations regardless of others’ lack of interest (as Mr. Collins does), and fails to modulate the volume of her voice appropriately. Her conversation and actions are often inappropriate for the situation. This, of course, could be because she is an impetuous, undisciplined teenager. Bottomer thinks Lydia has both Asperger’s and ADHD. Apparently, autistic children and adolescents are especially vulnerable to predators, as “they cannot always figure out when they are being lied to or used.” This makes Lydia unable to recognize Wickham’s deceptions.

Mr. and Mrs. Bennet

While Austen mentions Mr. Bennet’s “sarcastic humour,” Bottomer suggests reading Mr. Bennet’s words as literal comments rather than wit. Mrs. Bennet talks about “a single man of large fortune” benefiting her daughters, while Mr. Bennet asks “How so? How can it affect them?” Surely, he must have known the answer. Bottomer writes, “Difficulty with drawing inferences and ‘reading between the lines’ is common among the majority of those on the spectrum.” Here it does seem as if he is being witty, however.

Throughout the novel, Mr. Bennet shows a lack of empathy for his wife and daughters. He has been irresponsible in raising them. Bottomer makes the excellent point that Mr. Bennet knew about the entail, and he should have provided for his wife and daughters in at least one of three ways, perhaps all three. He could have set aside money for them, at least starting when Lydia was born fifteen years previously. He could have given them good educations so they could support themselves as governesses if needed. And he could have brought them to London to connect them with suitable men to marry. But he has done none of these things, absorbed only in himself. They could literally be homeless and destitute when he dies. Even knowing this, he never takes seriously their need to find husbands.

Is he just a totally self-absorbed, selfish man? Is Mrs. Bennet’s silliness (though she is more realistic than he is) the cause of his ill-treatment of her? As Bottomer points out, we do not accept “she asked for it” as an excuse for physical abuse, and it should not justify emotional abuse either. Is the truth instead that Mr. Bennet is unable to empathize, unable to understand and respond to the complex emotions of others? Bottomer characterizes him as “severely impaired,” unable to protect his daughters and care for his wife.

Mrs. Bennet, while not highly educated, recognizes her husband’s emotional abuse. (“How can you abuse your own children in such a way?” she asks him. And, “You have no compassion on my poor nerves.”) Due to her husband’s neglect of his family, Mrs. Bennet is anxious, which exacerbates characteristics of autism. Bottomer says, “Although Mrs. Bennet shows some autistic spectrum traits, particularly difficulty with both voice modulation and empathy, as well as a tendency to focus on minor details, these are comparatively mild.” Unlike her husband, she enjoys social interactions, but she often does not pick up on social cues.

Does autism help keep Mr. and Mrs. Bennet from connecting with each other?

Darcy and His Family

You can guess from this why Bottomer classifies Anne De Bourgh and her mother Lady Catherine as on the spectrum. Darcy is more interesting.

Bottomer writes, “In my opinion it is not pride but subtle autism that is the major reason for Darcy’s frequent silences, awkward behaviour at social events and the monologue that he, like Mr. Collins, delivers the first time he proposes to Elizabeth.” She explains many of Darcy’s actions as the results of mild autism. Positively, he is able to recognize his social errors and work to improve them. This is a long and intriguing chapter which I will not attempt to summarize here.

Austen identifies Darcy’s main difficulty as pride. Certainly he is proud and has to repent of that and change. I’m willing to consider that he may also have mild neurodivergent traits that he and Elizabeth have to learn to work with.

How Did Austen Know?

In the conclusion section, the author first speculates on what kind of “happily ever after” these characters might have experienced—the Bennets, the Wickhams, the Collinses, and of course the Darcys. JAFF writers, take note! She concludes that Elizabeth, who loves “intricate characters,” may enjoy her husband’s complex character.

Then the author addresses the question that bothered me throughout the book. “How Did Austen Know?” Of course these conditions were not diagnosed until long after her lifetime. Bottomer simply says that Austen was “extremely observant.” But observant of whom? Bottomer gives brief quotes from Austen’s letters about people that appeared odd, shy, or quiet. The author speculates that, in Jane’s own family, her cousin Edward Cooper, three of her brothers (including George, who had an unidentified disability), her suitor Harris Bigg-Wither, her Aunt Leigh-Perrot, and even her mother might possibly have been on the spectrum.

Her evidence here seems weak and speculative. As she concludes, “Given that individuals on the autistic spectrum are puzzling enough to understand even when they live and breathe among us, those in the dust of time are impossible for us to decipher.”

Jane Austen may have woven the traits of these “intricate and unique individuals” into the “unforgettable characters” we all know and love. She obviously was not intending to present these characters as “on the spectrum,” an unknown idea at the time. But probably she knew people with at least some degree of the behaviors she gives her characters.

While I can’t judge these diagnoses, I did find it entertaining and interesting to think about the traits of the people in Pride and Prejudice from this particular perspective. And it was helpful to learn more about autism in the process.

A Janeite on the Spectrum

To close, I want to share some comments from a Janeite friend, Frances, who founded the Jane Austen Society of Aotearoa New Zealand and identifies as autistic. (She has not yet read So Odd a Mixture.) She says:

“It’s always difficult to judge characters by modern standards, to attach labels they wouldn’t use, but it can help us understand them better. (I’m guilty of it. In fact, my talk for Virtual Jane Con next month is about whether Charlotte Lucas is aromantic. An even newer term.) Autism has always existed but wasn’t identified until relatively recently, and we’re still gaining new understandings – it’s not just men (hi, look at me :-).”

Would you identify any of the characters in P&P as autistic?

“Yes. It could be argued that Mr. Darcy, Mr. Collins and Mary Bennet are autistic. They all struggle with knowing how to behave in social situations and understanding others. Mary Bennet in the recent adaptation of The Other Bennet Sister is easier to see as autistic.”

Are there any that you relate to because they share some of those characteristics with you?

“I’ve heard many people relate to Mr. Darcy at the Netherfield Ball, not just me. Socialising with a room full of strangers, let alone strangers staring and talking about you, is awful. For a long time I didn’t want to relate to Mary Bennet, but I am very like her (luckily, I’m pretty :-). I spent most of my childhood with my head buried in a book and I still don’t understand the things neurotypical people say.”

 

I would love to hear from you, gentle readers, especially if you consider yourself on the autistic spectrum. Do you see any of the Pride and Prejudice characters as neurodivergent? Does it help you to relate to them? Do you see autistic traits in any Austen characters from the other novels?

 

So Odd a Mixture was published in 2007. Be aware that some terminology in it is outdated. Phyllis Bottomer also has an article in the 2007 volume of Persuasions, for those who have been in JASNA that long; it’s not online, though. Her 2010 Persuasions On-Line article on ASD and John and Isabella Thorpe is available online.

The reviewer, Brenda S. Cox, is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

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Inquiring readers, 

While Jane Austen referred to dogs in her novels, no mention was made of one living in the various houses she inhabited even when she settled in her last productive years in Chawton Cottage. After Mrs Austen’s death in 1827, Cassandra, who remained in Chawton Cottage, kept a dog as her companion. It seems the dog had two names: ‘Link’ and/or ‘Scout,’ depending on the source material. I haven’t read a description of the dog itself – whether it’s a purebred or a mongrel, or of the color of its fur or special markings, or how Cassandra acquired the dog. Link/Scout will forever remain in my memory due to this description:

She had a dog called Link, who, family story claims, would accompany a manservant to the farm at the end of the road to fetch milk; on the way back, Link would carry the pail of milk in his mouth. (Jane Austen’s House)

Such details are precious. Constance Hill (writer) and her sister, Ellen (artist), took a pilgrimage from the U.S. to England in order to visit all the places where the Austens lived. Their book with its lovely illustrations was published in 1902. (Jane Austen: Her Homes and Her Friends). When visiting Chawton, the sisters chanced upon an elderly man, who vividly recalled Cassandra and her dog, years after their deaths. It was he who mentioned his memory of Link to the two delighted sisters, whose book became an important resource in the early 20th century for Austen scholars.

While Jane Austen never had her own dog, she mentioned them or referred to them frequently.  Author Eliza Shearer wrote an interesting article entitled Dogs in Jane Austen’s Novels for her blog. I had no idea how often Austen incorporated dogs into her stories to flesh out her characters, such as Willoughby:

In ‘Sense and Sensibility’, Sir John Middleton is incensed when he discovers Willoughby’s true nature, perhaps even more so because he has just given Willoughby a precious present: a puppy by Folly, his favourite hound.

Chalon, Henry Bernard. “Two Pointers in a Landscape.” Wikimedia Commons, 1805.

Shearer goes on to mention that Willoughby’s choice of a rich wife over love was his road to unhappiness. After bidding Marianne goodbye, the only tiny bit of happiness he felt was in breeding hounds. 

An article in Reddit discusses more animal species in Austen’s novels than dogs, although this comment is notable:

“Lady Bertram’s Pug (Mansfield Park): This pug highlights Lady Bertram’s idleness and misplaced priorities, as she fusses over the dog while neglecting her children” (Reddit).

Brock, C. E. “Illustration for ch. 2 of Mansfield Park.” Wikimedia Commons, 1908.

Shannon Winslow featured a cartoon in FaceBook of a cat & dog discussing which of their species Jane liked most. The dog argues that Austen is “Definitely a dog person – she wrote “Scents and Scents ability,” with the cat countering “But she also wrote “Purr-suasion.” Click on this link to see the cartoon of Jane writing in the background as the pets argue. It’s a wonderful cartoon which I’m not sure is in the public domain, therefore the link.

Let’s just say that Jane and Cassandra and their family in general largely understood that animals were for labor – sheep dogs to keep their flocks in order and work in tandem with their shepherds, cats to hunt rats and mice, cows to produce milk and steers for meat, horses for sport and transportation, chickens for eggs and stews, and yelping hounds that led hunting parties for sport to kill foxes. The sights, sounds, and sustenance of animals were part and parcel in the background of their lives.

The last link I offer is to a rather long article I wrote in 2021 about Animals in Jane Austen’s Novels. While detailed, I hope you’ll enjoy it.

 

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Review of the book and TV series, by Brenda S. Cox

“Mary, who having, in consequence of being the only plain one in the family, worked hard for knowledge and accomplishments, was always impatient for display. Mary had neither genius nor taste; and though vanity had given her application, it had given her likewise a pedantic air and conceited manner, which would have injured a higher degree of excellence than she had reached.”—Pride and Prejudice, chapter 6

Mary Bennet

Those of us who love books often feel sorry for Mary Bennet: a bookworm who tries to make her way with second-hand knowledge of the world. We ask, why didn’t Mr. Collins marry Mary? Austen says,

“Mary might have been prevailed on to accept him [Mr. Collins]. She rated his abilities much higher than any of the others; there was a solidity in his reflections which often struck her, and though by no means so clever as herself, she thought that if encouraged to read and improve himself by such an example as hers, he might become a very agreeable companion” (P&P, chapter 22).

However, he marries Charlotte Lucas instead, leaving the Bennet daughters still in desperate need of “good” (financially sound) marriages. Pragmatic Charlotte, of course, was probably a good match for him. She could help him better cope with the world and tone down his excesses. Charlotte had plenty of practice dealing with a pompous, foolish (but kind) father.

But what about Mary? Can we imagine a happy ending for her? Here’s the ending Jane Austen gave her:

“Mary was the only daughter who remained at home; and she was necessarily drawn from the pursuit of accomplishments by Mrs. Bennet’s being quite unable to sit alone. Mary was obliged to mix more with the world, but she could still moralize over every morning visit; and as she was no longer mortified by comparisons between her sisters’ beauty and her own, it was suspected by her father that she submitted to the change without much reluctance.”—P&P, chapter 61

In this Hugh Thomson illustration for Pride and Prejudice, Mr. Collins checks out the Bennet sisters, overlooking Mary, who is reading a book on the right.

Then what happens after her father dies and the Collinses take over Longbourn?

Janice Hadlow, author of The Other Bennet Sister, has given Mary her own story. I have now read the book twice and watched the series twice, loving them every time.

The Book: The Other Bennet Sister

The Other Bennet Sister begins,

“It is a sad fact of life that if a young woman is unlucky enough to come into the world without expectations, she had better do all she can to ensure she is born beautiful. To be poor and handsome is misfortune enough; but to be penniless and plain is a hard fate indeed.” (The TV series adds, “or so my mother taught us.”)

Janice Hadlow, in the book, then takes us deeper into the Bennet family. Mrs. Bennet’s “beauty had been enough to win him, but, as Mr. Bennet soon understood, it was not enough to make him happy.” However, not being “reflective,” Mrs. Bennet still focuses on beauty as the most important quality of a young woman, and cannot forgive Mary for being “plain.”

We get to know Mary as the overlooked Bennet sister, trying various coping strategies. I love all the background and depth we get as Mary grows up, which understandably is skipped in the TV series.

I enjoyed the different strands and surprises woven together in this novel, all of which seem reasonably consistent with Pride and Prejudice. Mrs. Hill at Longbourn proves Mary’s friend. Mary’s eyeglasses exasperate her mother but provide a potential beau. Mr. Collins teaches Mary some Greek and introduces her to Aristotle’s ideas of happiness. The Gardiners take Mary in, include her, and nurture her.

Wordsworth’s poetry, shared by an attractive gentleman, opens Mary up to the world of feelings, beyond facts. The gentleman tells her, “That is the power of poetry. . . . It allows us to imagine ourselves anew, if we will permit it to do so. It reveals to us the hidden wishes of our hearts.”

Mary finds herself, fights for her happiness, and obtains her “room of one’s own” (a little ‘Easter egg’ reference to Virginia Woolf). And she’s not the only one. Even Caroline Bingley, who contributes some nasty wit here and there, has a little change of heart. And Mr. Collins and Charlotte find some happiness in their marriage. The book and its ending are satisfying for all.

The Other Bennet Sister is well-written, compelling, and shows Mary Bennet and other Pride and Prejudice characters in a plausible new light. I highly recommend it. (Bonus: It’s currently available through Kindle Unlimited.)

The Other Bennet Sister, by Janice Hadlow, tells the story of Mary, the overlooked sister.

The TV series: The Other Bennet Sister

The series of ten episodes of The Other Bennet Sister is also a delight. The blurb on Amazon says, “In this fresh Pride & Prejudice spin, overlooked Mary Bennet leaves Meryton behind to pursue love, independence, and self-worth, proving there is more to her than anyone expected”: a good summary. Even having read the book, I found the series intriguing.

For preview photos, see BBC Media Center part one and part two.

It includes some major changes from the novel. For example, in the novel, Mary is absolutely set against becoming a governess. In the series, that job is her way of achieving independence. (Never mind that Jane Fairfax of Emma considers the job of governess akin to slavery.) Independence, of course, is more of a modern goal for women, but today’s audience will appreciate it.

More of the story happens at Pemberley in the series than in the book. I suppose that’s because it seems a more romantic place than Hunsford or Netherfield. Or perhaps because the book takes Mary to one place after another as she tries to find the right place to settle, and it was easier in the film version to focus more on one place. Other events and situations also differ from the novel (I’m trying not to give you too many spoilers here).

I wasn’t really distracted by the few historical inaccuracies. However, the following aspects of the TV series are not proper etiquette of the time:

  • Mary sometimes (though not always) walks outside with her hair uncovered, no bonnet.
  • She walks around in London unescorted even by a maid, also inappropriate for her gentry background.
  • She is sometimes alone with a gentleman when it seems not quite appropriate.
  • She sometimes introduces herself to people rather than waiting for a correct introduction (which she could easily have obtained).
  • Mr. and Mrs. Collins show up at Pemberley out of the blue, without an invitation, which seems very unlikely.

And, these two oddities:

  • One of Mary’s beaux is a nephew of Lady Catherine de Bourgh, but he never seems to connect with or mention Darcy, who must be his cousin.
  • Someone receives a surprising inheritance. The book does give an explanation which is semi-plausible, but the TV series gives no explanation.

The Actors

Ella Bruccoleri makes a convincing Mary, growing from the analytical, insecure middle daughter into a young lady learning to be comfortable with herself. Her suitors, played by Dónal Finn and Laurie Davidson, are attractive and interesting. Mr. Collins (Ryan Sampson) seemed a bit off to me at first, more twitchy than Mr. Collins in the movies, and more intelligent, but he grew on me as a character.

Mrs. Bennet (Ruth Jones) is an exaggerated version of the Mrs. Bennet in the novel, especially in her negative attitude toward Mary. But the scene where Mary finally stands up to her is satisfying. (Mary’s final confrontation with someone else—a person who has tried to make choices for her—is also beautifully done.) I found the other Bennet daughters hard to distinguish until later on in the series, but the show isn’t really about them. A very pregnant Lydia (Grace Hogg-Robinson) does have some funny moments.

The Other Bennet Sister series came out this year (2026) and is now available on Britbox and through Prime Video. My recommendation? Read the book AND watch the series, if you can. Both are great entertainment and new perspectives on Mary Bennet. Mary may be “an example to us all” in learning to follow both her mind and her heart. Caroline Bingley says that sarcastically, but there is truth in it.

So Odd . . .

One more thought: Phyllis Ferguson Bottomer, in So Odd a Mixture, suggests that Mary Bennet is on the autistic spectrum, and therefore is misunderstood by, and misunderstands, those around her. I am no expert on any of this, but it appears to me that Janice Hadlow in The Other Bennet Sister is instead assuming Mary has been traumatized by early verbal abuse and neglect. Mary chooses to cope in certain ways—somewhat like Fanny Price in Mansfield Park. Once Mary is in a loving, accepting environment, she is able to heal and flourish. (These approaches are not mutually exclusive, I assume.) I will be reviewing So Odd a Mixture for you soon.

 

If you have read The Other Bennet Sister or if you have watched (or are watching) the series, what do you think? Please share your thoughts with other readers!

 

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

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Last month, in Part 2 of our tour of Elizabeth Bennet’s travels, we took a closer look at Derbyshire, Matlock, and Dovedale. Earlier, we explored the route Elizabeth and Mr. and Mrs. Gardiner took on their journey to Derbyshire through Oxford, Blenheim, Warwick, Kenilworth, and Birmingham. We now turn our attention to Chatsworth House.

In the following excerpt, Austen tells us what they saw while in Derbyshire, a place of special interest to Mrs. Gardiner:

. . .according to the present plan, were to go no farther northward than Derbyshire. In that county there was enough to be seen to occupy the chief of their three weeks; and to Mrs. Gardiner it had a peculiarly strong attraction. The town where she had formerly passed some years of her life, and where they were now to spend a few days, was probably as great an object of her curiosity as all the celebrated beauties of Matlock, Chatsworth, Dovedale, or the Peak.

Chatsworth House plays a double role in our understanding of Pride and Prejudice. First, it is mentioned as an actual site Elizabeth Bennet saw on her journey. Second, it is believed to be a possible inspiration for Mr. Darcy’s home at Pemberley when Austen was writing.

Chatsworth House. Photo: Chatsworth.org.

Regency Tours of Great Houses

As a stop along their fictional sightseeing tour, Chatsworth House would have indeed been a common stop during the Regency Era. When Elizabeth and the Gardiners visit Pemberley in Pride and Prejudice, Austen highlights the popular practice wherein genteel travelers often toured portions of many large country estates and gardens.

To do so, guests would typically arrive by carriage and ask the housekeeper or porter for permission to view the house and grounds. A servant often guided guests through the principal rooms, pointing out paintings, furnishings, and family history along the way. We see this first-hand in PP:

First, we read of their approach and admittance into the hall:

They descended the hill, crossed the bridge, and drove to the door; and, while examining the nearer aspect of the house, all her apprehension of meeting its owner returned. She dreaded lest the chambermaid had been mistaken. On applying to see the place, they were admitted into the hall; and Elizabeth, as they waited for the housekeeper, had leisure to wonder at her being where she was.

Next, we learn about the tour given by the housekeeper:

The housekeeper came; a respectable looking elderly woman, much less fine, and more civil, than she had any notion of finding her. They followed her into the dining-parlour. It was a large, well-proportioned room, handsomely fitted up. Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but{303} from every window there were beauties to be seen. The rooms were lofty and handsome, and their furniture suitable to the fortune of their proprietor; but Elizabeth saw, with admiration of his taste, that it was neither gaudy nor uselessly fine,—with less of splendour, and more real elegance, than the furniture of Rosings.

Chatsworth Then

During the Regency Era, Chatsworth would have been a beautiful sight to behold and a lovely spot for Elizabeth and the Gardiners to visit. By that time, Lancelot “Capability” Brown’s breathtaking redesign of the Chatsworth grounds, much like many other estates of that time, had been completed. However, visitors up through the early 1700s would have seen a much more formal view.

Here is the landscape at Chatsworth “before” Capability Brown:

Richard Wilson, A View of Elizabethan Chatsworth (oil on canvas), c. 17th century. Wikimedia Commons.
Jan Kip and Leonard Knyff, “Bird’s Eye View of Chatsworth,” c. 1699. Britannia Illustrata (1707). Wikimedia Commons.

Regency visitors would have seen a totally different landscape at Chatsworth only half a century later, complete with rolling hills and a more pastoral scene. Commissioned by the 4th Duke of Devonshire in the 1750s, Brown swept away the estate’s formal Baroque parterres (ornamental, geometric gardens) and reimagined the landscape entirely, with his signature, natural-looking landscape. His design included oaks, beeches, and willows scattered over the hillsides and deer grazing freely in open green areas. He even had the River Derwent rerouted to wind naturally through the extensive lawns below the house.

Here is the landscape at Chatsworth “after” Capability Brown:

Marlow, William. View of the West Front of Chatsworth House. 18th century. Wikimedia Commons, Devonshire Collections.

Chatsworth Now

Today, “Chatsworth comprises a Grade I listed house and stables, a 105-acre garden, a 1,822-acre park, a farmyard and adventure playground, and one of Europe’s most significant private art collections.” It is a major tourist attraction, as are most family-owned estates in England today, due to the vast financial commitment it takes to keep these beautiful estates thriving.

At Chatsworth, you can take a tour of the House and its artwork and artifacts, which span over 4,000 years of history. The house is enormous and is somewhat like touring a museum. The Devonshire family has owned the estate for 500 years and has a wonderful history to share about the house and estate. You can also tour the extensive Gardens and surrounding landscape. Beyond the House and Garden, there is also the Farmyard and Playground with animals to pet and a play area for children.

The farm itself plays a huge part in the economical success of the estate, and the Farm Shop sells all manner of meat, cheeses, and other fine foods, including a “traditional butchery showcasing estate-reared meat, fresh fish from British waters, handmade patisserie, freshly baked bread, and seasonal fruits and vegetables.”

The house and gardens have been featured in several Jane Austen film adaptations and many period films, which is another practical way for the estate to continue to flourish. In the 2005 film adaptation of Pride and Prejudice, Chatsworth was used as Mr. Darcy’s grand home at Pemberley, making it more famous than ever.

For those interested in learning more about the estate, I recommend the 3-part BBC documentary mini-series called “Chatsworth” (2012), which focuses on Chatsworth House in more detail. It is currently streaming on Prime Video.

Chatsworth House today (photo: HistoricHomes.org)

Austen’s Pemberley

Let us now explore Chatsworth as Austen’s possible inspiration for Pemberley. While Pemberley itself is fictional, many believe Chatsworth may have been one of the homes that inspired Austen. Chatsworth is mentioned as one of the estates Elizabeth Bennet and the Gardiners visited, so we know Austen was familiar with it. (To read about how Austen may have known about it, though she had never visited, you can read more HERE.)

Other homes may have also inspired Austen, such as Kedleston Hall (also in Derbyshire), Lyme Park (used to film the 1995 adaptation of Pride and Prejudice), and Sudbury Hall (used to film the interiors of Pemberley in the 1995 film). She must have also been inspired by the homes she herself visited or saw while traveling, including her brother’s home at Godmersham Park.

Elizabeth (Keira Knightley), Chatworth House exterior, PP (2005). Photo: Chatsworth.org.

Elizabeth Bennet at Pemberley

Regardless of the actual homes that may have inspired Austen, it’s easy to see why a grand estate like Mr. Darcy’s, if it were anything like Chatsworth or Godmersham, would have made Elizabeth Bennet exclaim at seeing it:

Elizabeth’s mind was too full for conversation, but she saw and admired every remarkable spot and point of view. They gradually ascended for half a mile, and then found themselves at the top of a considerable eminence, where the wood ceased, and the eye was instantly caught by Pemberley House, situated on the opposite side of the valley, into which the road with some abruptness wound. It was a large, handsome stone building, standing well on rising ground, and backed by a ridge of high woody hills; and in front a stream of some natural importance was swelled into greater, but without any artificial appearance. Its banks were neither formal nor falsely adorned. Elizabeth was delighted. She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste. They were all of them warm in their admiration; and at that moment she felt that to be mistress of Pemberley might be something!

Elizabeth (Jennifer Ehle) sees Pemberley in PP (1995).
Lyme Park, exterior for PP (1995).
Elizabeth (Keira Knightley) sees Pemberley in PP (2005).
Chatsworth House as “Pemberley” in PP (2005).

Chatsworth, Pemberley, and Beyond

While there are many theories about the estates that may have inspired Austen, it’s clear that visions of large estates like Chatsworth would have played in the back of the minds of her Regency readers. They certainly would have understood by Austen’s descriptions that Darcy’s home was meant to be extensive.

I hope you’ve enjoyed our tour of Elizabeth Bennet’s travels thus far. Next month, we will visit the Peak District and nearby Bakewell. There we will discover more of the rugged natural beauty seen in several of the film adaptations of PP and a quintessential English village set in the heart of Derbyshire that may have been the inspiration for Mrs. Gardiner’s Lambton.


Rachel Dodge teaches writing classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables DevotionalThe Little Women DevotionalThe Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. She has narrated numerous book titles, including the Praying with Jane Audiobook with actress Amanda Root. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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By Brenda S. Cox

 

“At the end of the sixteenth century there was living at Horsmonden—a small village in the Weald of Kent—a certain John Austen. . . . a man of considerable means, owning property in Kent and Sussex and elsewhere . . .  including in all probability the manor house of Broadford in Horsmonden. . . . [His wealth was] doubtless derived from the clothing trade. . . . John Austen died in 1620, leaving a large family. . . . The fifth son, Francis, who died in 1687, describes himself in his will as a clothier, of Grovehurst; this place being, like Broadford, a pretty timbered house of moderate size near the picturesque old village of Horsmonden. Both houses still belong to the Austen family.”—Jane Austen, Her Life and Letters, 1913, chapter 1 [A “weald” is a heavily wooded area.]

 

George Austen’s family hailed from Horsmonden, a village in rural Kent. Its name means “horsemen’s woodland pasture.” It is 12 miles from Tonbridge, where George Austen grew up, and 29 miles from Godmersham, where Jane’s brother inherited an estate from their Knight relatives in Kent.

The Horsmonden church, St. Margaret’s, looks much the same as when the tower was completed in the late fourteenth century.
Inside of St. Margaret’s Horsmonden church. The rector gave the parish this brass chandelier in 1703. It holds candles.

Horsmonden Village

St. Margaret’s church is about 2 miles outside of the village. The village has been a center at various times for different industries. Their ironworks supplied weapons and ammunition for the English Civil War in the mid-1600s. Earlier in the 1600s, Horsmonden’s clothworks produced Kentish broadcloth, mainly as a cottage industry in weavers’ homes. The Austens were the “clothmasters,” living in homes called “halls” that combined private residences with offices and warehouses. Later the area became known for growing hops, used in brewing beer.

The Austens at Horsmonden

Flagstone on floor of St. Margaret’s Horsmonden commemorating John Austen I (1560-1620) and his wife and children, Jane Austen’s ancestors.

The first John Austen and his son Francis are buried in the Horsmonden church. As the historian who authored St. Margaret’s Church Horsmonden wrote, “This was the family, let it be noted, from which sprang the immortal Jane.” John Austen I was Jane Austen’s grandfather’s grandfather’s grandfather.

Railed tomb in St. Margaret’s churchyard for a number of Austen ancestors, with the letter A in the fence.

The Austen lineage:

John Austen I (Jane’s great-great-great-great-grandfather, Horsmonden)

—Francis I (great-great-great-grandfather, Horsmonden)

—John Austen III (great-great-grandfather, Horsmonden)

—John Austen IV (great-grandfather, Horsmonden)

—William Austen the surgeon (grandfather, Tonbridge)

—Rev. George Austen (father, Tonbridge, Steventon)

—Jane Austen (Steventon)

Stained glass window in St. Margaret’s Horsmonden, showing St. Paul and St. Cecilia, inscribed to the memory of John Francis Austen (1817-1893) and his daughters Georgiana (died age 15) and Charlotte.

Historic St. Margaret’s, Horsmonden

The porch, built in the fifteenth century, has many of its original timbers. It was used as a lych gate, where the coffin and coffin-bearers rested before a funeral. Before the Reformation, weddings were held there, and the first parts of the baptism and funeral services.
Brass flagstone at St. Margaret’s commemorating Rev. Henry de Grofhurst, rector 1311 to 1361, who directed the building of the church we see now. Earlier church buildings occupied the site from at least 1100.
A “parclose screen” from around 1500, inscribed in Latin, “Pray for the good health of Alice Sampson.” It would have screened off one of the smaller chapels in the church, which were devoted to various saints. This screen was likely originally painted in bright colors with gilding. Alice’s will (she died in 1508) requested that she be buried in the churchyard within sight of her home.
St. Margaret’s has had bells since at least 1528. Some of the current eight bells date from 1737 but were later recast. This photo shows their positions when not in use.
92 steps lead up to the roof of the tower.
We stopped about a third of the way up (whew!) in the ringing chamber.
A sign at St. Margaret’s celebrating the bell ringers who rang “a peal of 5024 Cambridge surprise major [a complex bell ringing pattern] in 3 hours 18 minutes” and commemorating the death of one of their members whose family included “a line of ringers unbroken since 1799.”
You can see where stone workers finished these Wealdon sandstone stones for the church. On one, someone inscribed his name in 1777. A little Georgian graffiti, apparently!
Stained glass window showing St. Margaret and Sir Galahad (I suppose because he was a knight/soldier) in St. Margaret’s Horsmonden to the memory of Major Simon Willard (1605-1676), who emigrated with his wife to the American colonies. He was the founder of Concord, Massachusetts and served as a soldier under Governor John Winthrop.
The baptismal font, where babies are christened and adults can also be baptized, dates from the early 17th century but was copied from one in the early fifteenth century. The designs on the side alternate between shields and floral figures.
I had to include this tombstone for a William Collins, died 1863, age 74, so he was born when Jane Austen was about 13 or 14.
This lovely organ at St. Margaret’s Horsmonden was built in 1837.
A little science from Austen’s time: A memorial in the church to John Read (1760-1847), a local man who invented a stomach pump (saving many lives), a fire escape, and “many other useful implements for the benefit and relief of suffering humanity. Of humble origins, he yet possessed talents which would have done honour to the highest station.” He used them for doing good “in submission to the will of the Great Creator.” Read’s Stomach Pump

St. Margaret’s Horsmonden Today

The parish includes over 2,000 people. Only about 40 regularly attend services in the church, while another 60-70 watch on YouTube. Many are in the church’s WhatsApp group, supporting one another in prayer. Much larger crowds, up to about 150, attend the church for weddings, funerals, baptisms, and holidays. On Good Friday they put up three crosses on the village green and have a large service there.

The church also hosts community events including concerts, popular speakers, and Jane Austen readings, and they go into the schools once a month to “open the Book,” teaching the Bible to school children. St. Margaret’s varies their services, offering traditional and modern communion services, family-oriented services, outdoor events, a café, and an informal worship time. Modern Anglican churches can range from very formal Anglo-Catholic styles to more relaxed evangelical styles. Horsmonden tends toward the more “low church,” evangelical approach.

The “living churchyard” of St. Margaret’s encourages a biodiverse habitat around the church. The church is part of Eco Church, “a Christian environmental movement encouraging church communities to make changes to their worship, teaching, land and buildings management, community and global engagement, and lifestyle to reflect  God’s care for the Earth.”
St. Margaret’s supports a number of charities, both local and abroad, and encourages recycling and avoiding waste. Another notice board says the church is known for supporting the surrounding community and being welcoming, friendly, and prayerful.

Peaceful

Historian Anthony Cronk closes St. Margaret’s Horsmonden by saying:

“Today St. Margaret’s is essentially a parish church and a place of regular worship . . . it also attracts visitors from far and near. In this rural spot, away from the bustle of everyday life, one can spend a quiet moment savouring ‘the peace which passeth all understanding’. Jesus himself was referring to the need for this kind of occasional withdrawal when ‘he said unto them, “Come ye yourselves apart into a desert place, and rest awhile:” for there were many coming and going, and they had no leisure so much as to eat’ (Mark 6:31).

“Worship needs its focusing points in time and space; there must be holy places as well as holy days—places set apart for ever because of some association, hallowed by age-long custom—where people expect to find something inspiring and are not disappointed.

“One such place is St. Margaret’s, Horsmonden.”

Gentle readers, may you find such a place of peace and inspiration wherever you are.

 

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

All photos in this post ©Brenda S. Cox, 2026

 

Sources

St. Margaret’s history

St. Margaret’s Church Horsmonden, by Anthony Crook, 1967, 3rd ed. 1995

St. Margaret’s website 

 

Other Austen Family Churches

Steventon

Chawton

Deane

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Adlestrop and the Leigh Family

Stoneleigh Abbey Chapel and Mansfield Park

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

Ashe and the Lefroy Family

St. Paul’s Covent Garden (with links to other churches mentioned in Austen’s writings)

St. Swithin’s Walcot (Bath)

Godmersham

Goodnestone

 

More Austen family churches, external posts (will be added to JAW later):

Winchester Cathedral and Jane Austen 

St. Peter and St. Paul, Tonbridge 

St. Andrew’s Colyton, Devon 

St. Peter’s Hurstbourne Tarrant (the Lloyds’ church) 

JASNA Austen family churches 

 

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